A Poor Crisis

Romantic piano and string track. Lush orchestral strings, a slow-paced piano melody, descending. The strings swell and overwhelm the piano. Becomes more dramatic and hopeful, literally ending on a high note. Melodramatic, wistful and nostalgic, like Bach’s ‘Air on the G String’ crossed with a less eerie Twin Peaks theme tune, would suit a heartfelt TV/Film moment or advert playing on saccharine retro melodrama.

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Consonance Complement

Solo jazz piano. Short, jerky jazz piano chords. Dissonant piano clusters with hints of sweetness. Main theme repeated an octave higher. then more dissonance with sophisticated intermittent jazz piano soloing and low piano rumbles. Back to the uncomfortable clusters with their moments of sunshine. Serious in a playful way, erratic, difficult and jumpy, would suit a Woody Allen style Film/TV scene set among neurotic urban intellectuals or a stylish advert for a swish old-fashioned beverage.

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Nothing Matters But The Joy

An upbeat, but relaxed, steady jazz jam on piano, guitar, double bass and drums. Jazz piano to start, joined by double bass and cymbal rattles. Electric guitar takes the melody with piano chord progressions underneath. Guitar solos, with drums and bass intensifying before dropping out, leaving the piano to take an intimate solo turn. All return to the original melody, keeping things sweet, with guitar gently improvising. Happy, hopeful, fun, safe and wholesome. The opening credits of a film set on the East Coast of the US, driving home over crunchy Autumn leaves, met by a happy dog at the door. Safe and warm in wholesome America. Or it could be New York in the 80s of goofy feelgood American comedy .Three Men and A Baby without the drama.

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Lumieres du littoral

Acoustic guitar and glockenspiel interlaced in a sweet, simple melody. Guitar and glockenspiel interplay, accompanied by dreamy sustained glockenspiel notes. Rolling cymbal and a change of melody hark a new, more urgent mood. An intimate guitar and drum break, then intertwined guitar and glockenspiel end the journey. Powerfully gentle, wistful and full of love, imagine an scene or advert suggesting childlike innocence, the birth of something special or a journey full of wonder.

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Sandy-Haired Girl

Jaunty country-folk acoustic guitar instrumental. Light-hearted acoustic guitar repeated phrases, melodic acoustic guitar, moments of tension and relief. Upbeat, gentle and pastoral, would suit a Film/TV scene in a rural setting, gentle Americana to suit an innocent ideal of rural life where the greatest threat is a fox among the chickens.

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Light Relief (Suite)

Cute, happy, piano and percussion-led instrumental. Hand claps, then shakers, cowbell and a simple piano motif. Strummed acoustic guitar joins, a short break then moves up a gear with drums, bass guitar and fuller percussive texture. Another break that builds to the full percussive texture again. Fun, childish, sweet and upbeat, would suit an advert for kids’ yogurts, or for a fun, summery product to be enjoyed as part of a lively, jovial bunch of family and friends.

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African Rhythm Layers

Wonderfully percussive and relaxed, bit like a version of Nick Drake, near a river, on a Kora, building into something more positive and hopeful as it progresses. Wild but gentle, short but sweet.

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Manifest

Solo jazz piano track. Dramatic sparse piano chords, with quieter, sweeter interludes. A dissonant chord break with moments of consonance and hope, before a melodic slightly lounge-jazz section. Another chord break, returns to sparse, lovelorn chord clashes. Another moment of sweet reverie before the final despairing dramatic chords. Romantic, melancholy, thoughtful, would suit a reflective arthouse Film/TV scene, a lonely walk, conflicted, thinking of the other, or sitting at the bar, alone and dishevelled.

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Somewhere

Simple wistful piano piece with subtle orchestral strings, nodding to “Somewhere Out There” in Disney’s “An American Tail”, but usable in many poignant moments. I can imagine this in a campaign video asking people to help donate to a charity, or a sad but hopeful scene in a wholesome family series.

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Me and My Friend

Innocent piano-led orchestral string track. Bright, hopeful piano intro, playful pizzicato strings enter, joined by cheeky, cheerful percussion. Orchestral strings become more prominent, sweet glockenspiel melody, hand clap-style percussion, jaunty piano outro. Fun, innocent and dynamic. Bright-eyed and bushy-tailed, feels like the arrival of Springtime. Perfect for a delightfully pleasant advert for a jolly family product or as background music on a feel-good tv documentary about the flora and fauna of the English countryside, or communities coming together in harmony.

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