Jittery acoustic track. Percussive intro with delay effects on acoustic guitar and synth effects. Building anticipation, repetitive electric guitar and dynamic percussion. Guitar starts to move to a darker place, creating a sombre mood. Guitar noodles over ann atmospheric drone and clattering percussion, the shifting chords altering the mood, ending on spacey sound effects. Dreamy, dynamic and strange, suitable for a tense TV scene, inner turmoil, a noisy internal monologue, a decision to be made.
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Winter Drone
Atmospheric electronics. Electronics drones like waves ebbing and flowing over a cold, synthesised soundscape. Build in intensity throughout with glassy flickers and a bottomless ocean of shimmering synths. Contemplative, enveloping and hypnotising, a bed of sound perfect for under an eye-opening nature documentary or a tense, atmospheric TV/Doc moment.
Busy Game (Suite)
Hi-tension electronic chase track. Fleeting beats and synth lines, consistent drum ‘n’ bass beats, choppy strings lending intermittent bursts of tension and a chunky synth motif. Change to tense sustained synth, harsher beats, heavier strings before a full blown string section over electronic beats. A key change takes the tension up a notch, beat break before a quieter ending a glassy synth drones, cold strings and piano chords. High energy, full-throttle thriller turns reflective dronescape, as if our protagonist burst through a portal into another dimension. Perfect for a advert or tv sequence where danger is around every turn.
Busy Game 2 is steady, orchestral string-led suspense. A consistent level of threat and tension throughout.
Haunted Music Box
Haunting simple and cinematic, with music box, angelic vocals, piano and orchestral strings, including a searching solo violin. If you are looking for a magical and macabre setting for something you’ve hit gold. This will suit pretty much anything from fantasy adverts to Brother’s Grimm fairy tales. You can almost hear someone narrating over the top. Brilliant.
Before My Time is Done
Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.
March for a One Armed Nutcracker
Comedy for toy instruments. Sounds like: A riot of toys dancing around the tree at Christmas.
Like a Mantelpiece the Sea
Back room farmyard instrumental, acoustic instruments with a tender yet mischievous melody. Folky but genre-defying. An extension of the soundtrack to Withnail & I.
Ladybirds
Delicate harmonies on strings, with later gentle percussion and theremin-like synthesiser.
Kerugugs Homecoming
Comic high-drama, toybox symphony. An epiphanic moment. Bagpuss and co. get back home after stopping an asteroid colliding with the earth. Or something. Mega-silly symphony of kazoo, voice and accordion.
Kentish Plover
Triplet-feel dramatic orchestral refrain, with soft voices and repeating phrases. This is hilarious and highly dramatic at the same time. Perfect for an episode of Bagpuss, if Bagpuss was trying to fly a biplane to the moon. Includes real violins, voices, kazoo, accordion, wooden percussion and a whole lot of interesting phrasing.