Upbeat, jangly rock n roll track. Solid indie drums and bass introduce blues rock guitar and keys with some guitar soloing. Brazen, confident and fun, cleaned-up shambolic indie rock, a lite version of Artic Monkeys, Babyshambles and Jet.
Tense, bleepy electronics. Muted beats, bell-like synth melody and atmospheric electronics create a dark, futuristic, Eastern-inspired ambience. Break with cloudy electronic noise and harsh, knife-like swooshes. Back to the original zen garden beats with added urgency. Threatening, exotic and suspenseful, perfect track to accompany global espionage or a worrying high-tension situation on screen.
Happy-go-lucky acoustic guitar track. Lightly strummed acoustic guitar, bass guitar and soft drums introduce 60s Hammond organ style keyboards, and shaker percussion. A chorus of sustained chords on keys and electric guitar flourishes before a quieter guitar and percussion section. Back to full sound for an upbeat finish. Cheerful, hopeful and chilled, laid back fun, suitable for a upbeat, positive advert for a nifty service that will make life easier, or a product that will brighten your day. Also suitable for light-hearted documentaries.
Naive hyperpop. Catchy synth melody over sweet synths and a serious beat build. Beat drops, wobbly synths, whooshing samples and warm, enveloping, pretty chords. Another build, squeaky synths and a beat break. Happy, sincere, cute and sparkly, like the bonkers kawaii of PC Music, or computer game music, perfect for Reality TV montages/interludes, or adverts for young and fun summer festivals, or rainbow computer game fantasy worlds.
Mysterious electronic synth track. Repetitive synth intro, bouncy and arpeggiated, with spooky synth whooshes. New section of spookier synth riff, twinkling percussive bells and strings straight out of an old James Bond film, building anticipation. Sustained synth section with shuffling percussion becomes a dynamic, rhythmic synth section. Like Santigold but weird and wonky, topsy-turvy. Plodding yet classy, a real mystery. Intriguing and beguiling, would suit a provocative advert, a flashy product, sexy and stylish but a hint of danger.
Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.
Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.
No Lead version is lighter, more open. Perfect commercial TV soundtrack.
No Drums and No Bass versions available.
Euphoric electronic track. Big synths, glistening airy synths into bouncy synth melody with bassy beats and deep, sustained bass notes. Mid section with subtle vocal samples, cute synths like a malfunctioning robot. Whooshes back to the bouncy refrain. Happy, joyful and playful, a bit Calvin Harris, a heavy synth track with a warm, youthful sweetness, perfect for upbeat, triumphant TV adverts.
No Drums version available.
No Bass version available.
Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.
High energy rock. Tight drums, scuzzy electric guitars, fast paced and heavily compressed. Fast drum break and frantic electric guitars to finish. Upbeat, confident and direct, in-your-face with plenty of Queens of the Stone Age swagger to suit an advert with attitude, Top Gear-style daredevil TV.