Take A Stand

Country instrumental with slide guitar. Confident slide guitar accompanied by steady drums, bass and acoustic guitar to start. Honky tonk rhythm introduced on electric guitar, adds texture. Country-style violin solos over the groove. The slide re-enters accompanied by choppy violin. Upbeat, charming and fun, perfect retro, line-dancin’ country music for TV sequences and family adverts.

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Season Creep

Atmospheric string and piano build. Ephemeral strings, echoing beat intro, gentle piano notes, strings drone building anticipation. Piano chords then opens up with sustained strings, drums, guitar and tambourine. A quiet section, the best remains then drops out, just piano and light strings to finish. Determined, ambitious, striving and positive, would suit an advert for a powerful, reliable car, or a success against the odds on TV/Film.

No Drums version available.

1 min and 30 sec ad length versions available.

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Taiko Melody

Percussive build. Growing layers of drums and rattling percussion, creating a wide-reaching rhythmic picture. Woodblocks cut through the blanket of drums momentarily before the uniform pounding resumes. Atmospheric, determined and full of anticipation, perfect music for a ceremonial event, a soundtrack to an epic, other-wordly ritual or tribal gathering onscreen.

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Captain Marzipan

Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.

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Untied Kingdom

Bright and smooth, with groovy medium-tempo beats, 90s synth leads, and soothing female vocals that bring a Protection-like Massive Attack flavour to the scene. It delivers early Trip-Hop elements in a kind of hopeful mood. Would suit promo and corporate videos, but also play well as soundtrack for fiction films.

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For Panthere

Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.

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Pass it Off – Dub Instrumental

Full on in your face hip hop. It’s big, it’s bad and brash. Recommended for rapid cut promos, or waking up the neighbours. This guy knows what I’m talking about. I’m nodding my head as I type this. Imagine Busta Rhymes ‘Ante Up’ mixed with a little bit of Missy Elliot and some chipmunks, but like, hip hop chipmunks. All samples cleared.

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How’s God? She’s Black

The title is taken from this piece of graffiti on the Berlin Wall. Piano and classic guitar led, with gamelan, and a string section. Tender, hopeful and positive with hypnotic piano riffs revolving in the background. A pause leads to a frenetic middle section which bursts into a sudden epic string section, similarly disappearing to leave a tender vulnerable ending. Nods to Steve Reich, The Penguin Cafe Orchestra and The Books.

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Stories and Stones

Catchy and uplifting, with a folk acoustic guitar and a warm male choirs that create an interesting and compelling episode of indie acoustic folk. The second part develops into a fully arranged piece with increased complexity. Several applications, from emotional and in your face commercials to soundtracks for dramas and bittersweet comedies

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Grassy Knees

Airy and positive, with effective piano chords and a pop-rock arrangement that complement the scene from 1:00 onwards. Claps and pizzicato strings add lightness and fun at minute 1:30. We are decisively in the corporate/showcase videos domain, although this is done with a warm and classy touch that will suit high level products, definitely inspirational without being too disruptive.

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