Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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Day to Night

Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).

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That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Saisis par le Soleil

Glassy tones with bright guitar arpeggios and gentle glockenspiel. Delicate timbre with emphasis on glittering fantasy. holds back and quickens to 2:51 where strummed guitar introduces a more urgent section with horns and building layers of harmony. At 4:58 there is a held breakdown where everything is still, like holding your breath, then glock and guitar build almost imperceptibly to a strummed final section with added percussion. A beautiful, sublime track.

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Ex Tempate

Soft emotive classical guitar is joined by soft glockenspiel, and low cello. Neutral, sweet and passive at first but gets more intense by degrees til it ends full of longing. Feels like unrequited love.

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Sei Nu Mei

Moody, strong and beautiful, acoustic and electric guitar with strong echoing industrial rhythms and warm, glass-like sounds. Female “oo’s” wash in and out. Reminiscent of Bjork.

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Voices in My Head (Suite)

Dramatic anticipatory undertones, rich synth landscapes. Uneasy and dark. Excellent for underscore in tv / documentary dramas.

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Sarah’s Ambience

Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.

Versions with acoustic guitar and minimal acoustic guitar

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Monkey Dance

Toy pianos, xylophones and harmoniums evoke a mischievous dancing simian. Atonal elements make this a vaguely sinister piece. Something is going wrong in the toy world.

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Making Jack a Dull Boy

Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.

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