Panic Amongst the Dragonflies

Mysterious multi-instrumental. Atmospheric feedback intro followed by oom-pah-pah waltz rhythm and childish marimba melody. Orchestral strings and accordion join with a Gallic-inspired melody, reminiscent of Amélie. The melancholy gives way to excitable, erratic rhythms on all instruments, before a dynamic final section with passionate violin and jumpy marimba. Magical, melancholy and manic, perfect music to accompany a rainy midnight walk through the streets of Paris, only to end up in a sleazy speakeasy at the centre of an absinthe-sodden freakshow.

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Golden Now

Upbeat indie pop/rock instrumental. Driving drums, insistent guitars, solid bass guitar and celebratory horns. Anticipatory drum break, guitars re-enter lightly with a tropical vibe, back to all out groove. Bright, fun and happy,slick but heart-warming commercial pop/rock for sun-soaked travel adverts or good-natured reality TV.

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Cross (Justice Has Been Done)

Synth-heavy mid-pace electronic banger, reminiscent of early Daft Punk or Justice. A steady groove is augmented throughout the track, adding extra layers of fat synth and a retro organ sample. A drop in the mid-section builds to a warped version of the riff before a bigger build back to the main theme. Cool, determined, edgy and urban. Dark with flashes of neon light, this track struts, transforming the grey city streets into a technicolour catwalk. Perfect for fashion or sport adverts, or anything representing street or youth culture.

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Into the Black (Instrumental)

Pulsating instrumental electronic track. A threatening synth pulse, turning into a full blown drum ‘n’ bass beat with a repeated melodic synth motif on top. A pause, the pulse re-enters, relentless and driving, with laser synth beats and other electronic effects. The track builds until the end. Breathless, thrilling, cool and dark, perfect for a tense chase scene in a bombastic urban gangster tv/film sequence or an ad parodying this type of edgy thriller.

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Mitochondria

Epic electronic build with orchestral strings. Crackly intro, muted electronic build, powerful beats and glassy synths. Sustained, dramatic orchestral strings build to a pummelling electronic beat with glittering arpeggiated synth and a serious, choppy string section. A break before a fresh build. Solemn and driven yet hopeful, all out epic 90s vibes like Fatboy Slim’s ‘Right Here, Right Now’, would suit tense sports coverage, a dramatic advert, or sincere documentary TV.

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Mumuration

Melodic orchestral string and drum build. Choppy orchestral strings play a bright melodic motif. Syncopated beats join, growing in volume and complexity. Break before lively orchestral strings and anticipatory beats kick off again. Builds to a summery climax. Positive, hopeful, happy and sincere, like an orchestral version of Dario G’s ‘Sunchyme’, euphoric and fun, perfect for emotional reality TV moments or excitable documentary TV scenes.

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Special Delivery

No nonsense rock ‘n’ roll. Powerful electric guitar intro riff, joined by drums and intense soloing guitar. Straight up drums with noodling electric guitar soloing in bursts. Lighter, more 60s vibe to the next section. Brash, bold and self-assured. Reminiscent of Neil Young’s more rock ‘n’ roll moments, or of a 1970s hyper-masculine rock band or Mick Jagger throwing shapes. A School of Rock-style solid jam for TV or Doc moments where strutting and playing air guitar are required and encouraged.

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Wish You Weren’t Here

Sunny funk track. Funky Prince-like funk guitar intro, electric guitar funk riff with melodic bass guitar and consistent drums. Bright, whistling organ joins on top for the chorus. New section with warm 60s keyboard solo over a slower funk. Moved to a smooth, slightly Spanish guitar solo. A quiet guitar break then back to full chorus. Upbeat, joyful and positive, perfect for a TV montage or holiday advert, sunshine and holidays, playful abandon and laughs with friends.

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Beatitude

An upbeat, Two Door Cinema Club-style instrumental indie track. Guitar, bass,drums and electronics play a jerky intro followed by a brighter, fuller, more positive, sound for the ‘chorus’ section. A synth break then back to the build and chorus. A dramatic stop before an all-out indie groove kicks in. Jerky and precise but upbeat and hopeful. Perfect for an interlude on a Made In Chelsea-style TV show; on an ad for a fun and young product or service; or as an energetic backdrop to TV sports coverage.

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Secret Agent 2

A short burst of swinging jazz with walking bass, horn blasts and shuffling jazz drums. Fizzing with energy and hedonism, this Pink Panther-esque vintage track harks back to the jazz age but those rumbling drums would not be out of place on the Flintstones. Perfect for a short energetic advert or a goofy retro TV sequence.

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