It Was Revealed (Parts 1 and 2)

Expressive orchestral string track. Gentle, lyrical orchestral strings soar in counterpoint over an unsettlingly tumultuous piano part. Dramatic, cinematic and slightly cacophonous with a European sensibility, would suit a passionate TV Drama or period film scene.

Part 2 features a fuller orchestral string sound and heavy use of vibrato, with piano taking a back seat.

      It_Was_Revealed_Part1
      It_Was_Revealed_Part2

KMH_Part_3

Dramatic waves of rippling piano moving between positive and uncertain. Delicate and undulating, vulnerable and jarring.

      KMH_Part3

KMH_Part_2

Sparse, positive and beautiful. A bit like heavy rain dropping sporadically in a sunny forest. At 1:10 there is a sidestep into complexity and uncertainty, a bit like you’ve taken the dark path in said forest, wending your way to who knows where…

      KMH_Part2

KMH Part 1

Minimal piano track. Polyrhythmic piano lines interweave creating a continuous, flowing waterfall effect. Sweet yet dissonant, atmospheric and turbulent. A dreamlike cacophony in the mid-section, before an expressive, virtuosic, yet disturbed, finish. Suited to an unsettling Film/TV scene, a psychological horror reflecting the characters tumultuous experiences.

      KMH_Part1

The First Journey (Suite)

Gentle percussive piano builds from silence into a strong main section. Searching, passionate and moving. Versatile for any dramatic scene or campaign.

      The_First_journey
      The_First_Journey_MinimalEdit-JPM
      The_First_Journey_StringEdit-JPM
      The_First_Journey_Reprise-JPM

Deadline Eclipse

Tense minimal piano is joined by solo acoustic guitar over a background of Steve Reich-like pulses, building to a positive section of wonder and serenity. After a held section the piece moves to a foreboding ending. Perfect for film.

      Deadline_Eclipse-JPM

Lunch On Us

Synth organ track. Dreamy, retro chords and motorik bass with rhythmic acoustic guitar and plonky glockenspiel melodies. Happy, uplifting and carefree, gradual crescendo with orchestral strings and upbeat drums. Sound like Au Revoir Simone, perfect for fun, family adverts or indie TV films/dramas.

      Lunch_On_Us-JPM_version

Acephale

Epic electronics with strings. Noisy, atmospheric build, shifting sustained strings building a cacophonous soundscape cut through by screeching electronics and dark, brooding bass synth. Guitars and piano bring a sense of peace at the finish. Industrial, emotional and edgy, perfect for probing documentaries and dark TV dramas.

      Acephale

Tobinesque

Subtle, ambient intro of sparse percussion and synth melody, foreboding and dark, building to a harder sound with pizzicato orchestral strings and 90s trip hop beats. Slightly glamourous, exotic and classy, like a modern James Bond film, perfect for an action/thriller or exciting, potentially dangerous TV scene.

      Tobinesque-JPM

Uncut (Suite)

Slow, foreboding piano track with orchestral strings, percussion and electronic beats. Tense, dark and foreboding, like a wintry evening, driving in the countryside. Grown in intensity as more electronic beats are added. Brooding piano throughout, perfect for an atmospheric TV/Film scene with a hint of hope.

Interludes feature piano only.

Intro and Outros feature piano and electronic beats.

      Uncut_Intro-JPM
      Uncut_Interlude-JPM
      Uncut_Interlude2-JPM
      Uncut_Interlude3-JPM
      Uncut_Outro-JPM
      Uncut_Outro2-JPM