A compelling dialogue between a crunchy electric guitar and brass instruments, this tune successfully mixes mid-sixties elements with an energetic funky attitude. In the second part the brass section delivers a Ska punk aftertaste. Urge Overkill and sped-up Al Green make for a Tarantino-esque setting. Ideal for a title sequence, ad campaigns, TV shows.
Engaging and uplifting, this track combines elements of Latin world music with Spanish Flamenco. It features a slick dialogue between two acoustic guitars, drums with percussions and two chorus-like episodes at 0:55 an d 1:22. Paco De Lucia and Pat Metheny shake hands. Ideal for a documentary title sequence, film promos, travel scenes, and ad campaigns.
Funky, energetic tune featuring a driving bass guitar, retro drum groove, smoking Hammond organs, and a punchy brass section. There are two harmonic shifts at 1:00 and 2:10. An instrumental James Brown playing with Earth Wind & Fire.
Reflective and mellow track featuring a bell-like synth. At 0:48 a Trip hop beat makes its way in and marks a shift in intensity. Morcheeba and Groove Armada alike, this piece is perfect for chilled, peaceful settings, possibly offering a certain degree of anticipation.
Contemplative guitar and drone track. Acoustic guitar plucking a sparse melody above a subtle sitar-like drone. Simple, thoughtful, meditative and atmospheric, perfect for a slow-moving TV/Doc scene over a beautiful vista.
Chilled instrumental jazz track. Shuffling drums, downbeat piano chords, thoughtful piano melody with a jazz tonality. Brass enters, repeated a piano phrase. Melody repeated on piano, joined by Rhodes piano, double bass, punctuated by brass notes. Dreamy section, woozy brass, lightly strummed electric guitar, delicate piano motifs, chilled drums with Ethiopian jazz influences and bright chords. All join on relaxed version of original melody. Relaxed, warm and a little bit mysterious, perfect background music for a curious documentary or for a laid back yet reflective Film/TV scene.
Pink Panther-esque jazz instrumental. Double Bass jazz motif tip-toes across the track, joined by clipped hand drums, Rhodes piano keyboard sound and sound effects. Mysterious, playful and suspenseful, perfect for an onscreen intrigue or a pastiche of retro whodunnits.
13 sec version available.
Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.
African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.
Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).