Triplet Storm Part II

Driving arpeggiated synth track. Moody, cool synth waves crash over the soundscape. Vast, epic and driving, would suit an urban, Vice-style documentary or dreamy, clubby, druggy TV scene.

      Triplet_Storm_Part_II-JPM_version

Underwater Theme 01

Bloopy synth track with deep underwater bass. Soft, hazy synth lines over repeated bloopy synth melody, reverb effects, and subtle, drum roll-like beats. Downbeat, nostalgic and mysterious, with a hint of danger, would suit an investigative Vice or Vox-style documentary or TV segment. Also perfect for edgy TV scenes.

      Underwater_Theme_01-JPM_version

Point of Departure

Sparse synth-heavy track. Fast, bloopy, arpeggiated synths ascending, overlapping, building and falling. Frantic, energetic and hopeful, would suit a youth documentary or edgy content.

      Point_of_Departure-JPM_version

Dangerous

Dreamy synths under hip hop beats with helium vocal samples. Male vocal samples interspersed with child-like vox, like Sampha in a tender duet with a chipmunk. Laid back beats and rippling piano chords keep it chilled. Thoughtful, gentle and soft in contrast with the chunky beats. Would suit emotional or tongue-in-cheek content.

      Dangerous-JPM_version

Never Wanna Say

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

      Never_Wanna_Say_Instrumental-JPM
      Never_Wanna_Say-JPM

Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

      Fear_Instrumental-JPM
      Fear-JPM

Day to Night

Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).

      Day_To_Night_Instrumental-JPM
      Day_To_Night-JPM

Alone

Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)

      Alone_Instrumental-JPM
      Alone-JPM

Frozen Peaks

Soothing vocal track with tinkling glockenspiel accompaniment. A comforting wash of harp, glockenspiel, and a breathy chorus of warm vocals. Peaceful, serene, short and simple, perfect as a gentle TV ident, for reality TV montages or for a heartwarming holiday advert.

      Frozen_Peaks_20secs