Kill the robots

Repetitive and flowing, it starts tense with a rhythmical bass synth. Soon a detuned piano enters the scene to counter balance the darkness with some emotional lighter ideas. The bass follows it as a drum section slowly creeps in and helps in gaining strength to the tune. There is sense of longing and broken romance, but defiance and challenge are definitely ahead. Somewhat in between hi-tech and retro.

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Letting You Win

Energetic with a modern feeling, featuring a compelling mix of electro synths and pop-rock instrumentation that deliver a perfect combo of inspirational coolness without getting too much in the way. Reminds a lesser version of some Coldplay hits. Ideal for bouncy corporate and inspirational videos.

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Babylon

Groovy and modern, with a confident bass line and a classy electric guitar that mix in-your-face raggae elements with dub and dance rhythms. A-B-A-B structure with “anticipation moments” at 2:00 and 3:30. Resumes a definite funky vibe toward the end using also an interesting wobbly effect.

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Africa

Confident, dynamic and well produced reggae, with a strong brass section and a tight arrangement. Elements of dub, imagine a laid back version of “I don’t like cricket”. Will suit beach, club, lounging scenes where you haven’t got a care in the world. Will suit ads, travel videos, anything with an exotic and bold vibe.

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Doh Doh Doh

Jolly and lively, with quirky vocals and strummed acoustic guitars that create a fun and light 30 seconds episode of music. Ideal for light advertising, animations but also fun comedies and TV shows.

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Luca’s Dream

Mysterious and magical, with a smooth vibraphone that tenderly takes you in a dream made of castles of sand, a lonely journey with unknown obstacles but a hopeful resolution. Fantasy settings and dreamy sequences are welcome here.

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In Between

A sensual patchwork of sounds that goes deep into funk and soul territories, with a solid bass line and catchy electric guitars to create a cool mix of pop, funk, soul and fusion. An interesting combination of early Phoenix and Jamiroquai, available with or without vocals.

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West Side at Night

Catchy and groovy, with modern dub beats and a dusty low-fi feeling that take you for a spin in a city full of lights and graffiti. Good for urban settings with a skewed retro look, but also for showcase and promo videos.

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Gentle Struggles

Melancholic and intimate, featuring a dreamy figure of glockenspiel notes and a light arrangement driven by a piano and a small orchestra. A flute takes over the theme at 1:40 and presents us to a final section slightly more rhythmical with pizzicato strings and playful woodwinds. Great for scenes with a nostalgic and tender yet hopeful feeling.

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Where’s the Justice

Light and smooth, with solid acoustic guitars and honest vocals that make for a warm pop-rock episode with a folk edge. Variation to the main theme at 1:40 seconds. Ideal for light advertising, end title sequences and modern dramas.

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