A 90s-inspired-by-the-70s chill-out jazzy hip hop jam with drums, bass and keys. Drums and bass keep things steady as mellow repeated keyboard chords and a twinkling keyboard motif play on top. Cool, romantic, laid back and warm, this mellow jam would suit retro tv and film scenes where our character drives or struts through familiar streets.
Author Archives: Music Supervisor
Hop Shop
A breezy instrumental using hip hop samples. Solo, hip hop-style drums introduce the track. Vinyl scratching and vocal samples join in. A breezy keyboard and bass guitar line enter with a laid back groove that lasts for the whole track. A recurring motif of acoustic guitar samples and a drum break midway break up the steady repeated keyboard chord progression. Cool, fresh, relaxed and a bit edgy, this track would be suitable for travel/music docs, tv or film evoking breezy inner city life, or 90s nostalgia trips.
Heavenly Creations
A 90s-style trippy shuffle. Repeated keyboard melody, shuffling boom bap hip hop drums, slow-motion electronic whooshes and warm dynamic bass guitar. Ambiguous, atmospheric and warm but with underlying danger. Suitable for film and television as well as campaign videos. Following a character from evening through nightfall, as he goes about his usual wheelings and dealings in his city. Slightly dangerous 90s druggy slacker vibes.
Flying Feeling
A 90s inspired, chilled out jazzy hip hop track. A 4-3-2-1, vocal countdown then chilled out piano, warm mellow synth and samples take the lead. A boom bap hip hop beat drops, laid back and blissed out. Piano becomes more prominent, then golden sustained synth chords hang, waiting for resolution. A fuzzy synth repeated phrase is hard to pin down, flying free, not landing, no resolution. Hopeful, warm, inspired and free, this track would suit film and tv sequences. Driving through deserted city streets on a sunny evening, sun low in the sky, bleached out visuals, orange light on tarmac. Freedom and serenity.
Damn Good Thing
A 90s style hip hop, jazz-inspired track with vocal samples. Jazzy Jeff-style vinyl scratching, vocal samples repeating “damn good thing”, electronic glitches and sustained keyboard chords create a Nuyorican vibe to start this track. More vocal samples are introduced, with a keyboard melody, child’s vocals, jazzy hip hop drums, ending on the vox sample “my colleagues and I are from another planet”. Chilled, jazzy and cool, this track’s 90s throwback vinyl scratching and laid back hip hop vibes would add a vintage streetwise but soulful feel to adverts or tv sequences.
Bipolar
Made up of three contrasting sections. First, a futuristic pastoral soundscape with a pan-pipe-like tribal-sounding repeated synth note calling out across the landscape. Then blobby liquid percussion, piano, glitchy electronics and drums interplay until they launch into a drum ‘n’ bass section. Birdsong and a return to nature follow, with forest sounds and a repeated electronic pulse. Next section seeps in with blissful major chords, dreamy glittering electronic fx, soulful beats and dubby bass. A spoken word sample situates us in hip-hop/jazz territory. The voice repeats “walk on, walk tall”, as sparkling synth gives way to birdsong and water. At times, tense, tribal and spiritual, moving to chilled, soulful and inspired, this would suit before/after adverts for a product meant to inspire, slow you down and change your life for the better.
Good Grief
Sombre, pensive solo piano track. Slow-moving block chords. Cello joins. Slow, measured phrases soothe and calm. Thoughtful, emotional, sad but with a hint of light at the end of the tunnel, would suit an emotionally fraught TV/Film scene of mourning or dwelling on a difficult past or broken relationship.
Solo Piano version available.
1 min and 30 sec ad length versions available.
To Sleep
A dark synth pop track with dreamy male and female vocals. A synth pulse introduces male vocals. A dramatic pause before melodic beats drop with layered vocals. Dreamy, mysterious synth drones add tension. A drum and wonky synth break, the vocal chorus returns. A female vocal break ,then call-and-answer with male vocals, before coming together, echoed by the bass line. Synth drones and blobby beats accompany the female vocals an octave higher and male counter melody. Melancholy, tense and dripping in cool anticipation. Dark romance in the city by night. Driving. Coloured lights streak by. Too cool for love.
Nothing Matters But The Joy
An upbeat, but relaxed, steady jazz jam on piano, guitar, double bass and drums. Jazz piano to start, joined by double bass and cymbal rattles. Electric guitar takes the melody with piano chord progressions underneath. Guitar solos, with drums and bass intensifying before dropping out, leaving the piano to take an intimate solo turn. All return to the original melody, keeping things sweet, with guitar gently improvising. Happy, hopeful, fun, safe and wholesome. The opening credits of a film set on the East Coast of the US, driving home over crunchy Autumn leaves, met by a happy dog at the door. Safe and warm in wholesome America. Or it could be New York in the 80s of goofy feelgood American comedy .Three Men and A Baby without the drama.
La Presencia de la Noche
Breezy latin jazz on electric guitar, bass and drums. Guitar sets the tone with moody broken chords, a pause, jazz drums, double bass and a catchy guitar riff enter, playing cool, seductive chorus/verse melody with a bossa nova feel. An almost psychedelic guitar solo explores the fretboard, grounded by jazz drums. Intense guitar, double bass riffs and busier drums add anticipation, before the original motif returns for the finale. Sultry, sexy, hot and passionate. Conjuring multiple genres and lands- travels through South America, adverts for laid-back holidays, or scenes of romance on a hot summer’s night.