A to the K

Posted on January 26, 2018 by jamie

Full bodied laid back hip hop, I can see California lens flare, sunny cruising past beautiful people, feels urban but crisp with bold beats, lush synth chords and intricate DJ scratching. Clean, fresh and cool, with a sense of power and style. Would work in promos, car related programmes, or any stylish showcase segment. Like Summertime by Jazzy Jeff and the Fresh Prince, but without Will Smith trying to rap and much much cooler. Highlight is the massive chorus section at 1:16 – full of sweet synth impact.

A_to_the_K-JPM

Future Dreams

Posted on January 24, 2018 by Music Supervisor

Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.

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Unconditional

Posted on January 23, 2018 by Music Supervisor

Tense orchestral build. Repeated choppy orchestral string motif builds, electronic hints added and orchestral elements provide base. Melancholy violin melody emerges interspersed with military-style drums fills. Layers of lush strings join with subtle horns, building a dense orchestral soundscape with incongruous electronics bubbling beneath. Emotional, reflective and suspenseful, a worrying track to suit a film scene where man is recklessly destroying nature, a daring, dangerous feat is being attempted, or unrest of the mind threatens to overwhelm the protagonist.

Unconditional-JPM_version

State of Mind

Posted on January 23, 2018 by Music Supervisor

Tense, atmospheric electronica. Synth riff with added vocal samples and whooshing, fat synths underneath. Sparse, slightly tropical, subtle beats materialise, synths and vocals bubble up and cut through the murky atmosphere. Downbeat, moody, dark and slightly magical, reminiscent of a more 90s Arca, intriguing beats draw us in to another world, swampy and hazy, perfect for a mellow TV/Doc/Film scene or as sombre yet hopeful background music.

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Clear Water

Posted on January 22, 2018 by Music Supervisor

Atmospheric electronic track. Drum machine beats joined by chordal intro on synth. Arpeggiated synth plays a repetitive melody. Warm sustained synths underpin the bright, clear, undulating melody, fresh like rainwater. Extra texture with added beats and ambient synth. Intriguing, optimistic and cool, soothing synths bringing to mind water droplets on new saplings, cool rocks and epic green/blue vistas. Sounding a bit like Santigold, perfect for stylish eco-advertising, a flashy electric car driving through a crisp mountain road, or travel Documentaries.

Clear_Water-JPM

Breeze

Posted on January 22, 2018 by Music Supervisor

Atmospheric electronic track. Japanese-sounding chiming percussion, textural water sounds, shakers, rattling beats and melodic beats growing in intensity. A definitive gong and a trail of dripping water to finish. Evoking the natural world, as well as ancient Eastern wisdom, ethereal, thoughtful and intense, like a more urgent version of the Lost in Translation soundtrack, or the original music for American Beauty, curious and evocative, suitable for intriguing adverts, soul-searching TV/Film or nature documentaries.

Breeze-JPM

HEY

Posted on January 22, 2018 by Music Supervisor

Bluesy rock ‘n’ roll track. Brazen electric guitar riff and wailing guitar feedback, joined by punchy drums and a funky bass line. A new guitar melody followed by a new section, more electronic, glitchy and sample-heavy, moving into espionage movie territory. Brash, urgent and confident, like Red Hot Chilli Peppers soundtracking a Jason Bourne film, perfect chase music, either by car or on foot, through unfamiliar urban streets, or across continents.

HEY-JPM

Sneak Peek (Suite)

Posted on January 22, 2018 by Music Supervisor

Light electronic track. Tranquil atmospheric electronics, bleepy sounds, vocal samples and warm synth mix with a mellow throbbing beat and upbeat percussion. Delicate electronic break, gentle swooshes and muted beats. Drums kick in, build anticipation over the gentle bed track. A snare drum section followed by an understated yet triumphant chordal synth build. Joyous, anticipatory and considered, elation but in a classy way, sounds like a more upbeat Beach House or Au Revoir Simone, low key but playful, perfect as background music for a positive, thought-provoking charity video, or for slightly suspenseful reality TV montages.

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New Elevator

Posted on January 21, 2018 by Music Supervisor

Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.

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Spirit Winds and Prairie Grass

Posted on January 19, 2018 by Music Supervisor

Pastoral folk on solo acoustic guitar. Quiet, thoughtful chordal motifs and finger-picking guitar. Moving from minor to major like the sun breaking through the clouds. Gentle, introspective and tentative, yet hopeful, perfect for a spare, downbeat TV/Doc sequence or a relaxed advert.

Spirit_Winds_and_Prairie_Grass-JPM

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