Home in the Country

Gentle acoustic guitar track with piano. Strummed acoustic guitar, bright and hopeful with subtle synth chords underneath. High register piano added, shining and sparkling on top. Lush orchestral strings enter with a hum of warm romance before a woozy, underwater break as strings and keys resonate at length. Fade out. Soft, delicate and wistful, a pastoral track with a magical feel, perfect for nature programming, hopeful TV scenes or warm and wholesome adverts.

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Queen of the Bees

Playful, percussive, pizzicato orchestral string track. Magical swooping strings and choppy, characterful violins duel over a swirling bed of orchestral hum with plucked violins and dynamic double bass adding further layers of texture. Quirky, pastoral and full of giddy anticipation, perfect for a nature programme on the fleeting buzzing of insect life, or equally suitable for a Christmas segment building seasonal excitement.

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Late Nights

Atmospheric, brooding electronica. Warm, pulsating synth intro joined by chilled r’n’b/trap beats and breathy female vocal samples. Laid back, calm and dreamy, perfect for a breezy onscreen moment or glamorous advert.

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G Code

Sombre urban electronica. Dark synth lines, pulsating beats and hand clap effects, joined by epic synth chords and broken phrases of a mournful piano melody. Downbeat, melancholy and uneasy, would suit an earnest TV scene or documentary exploring a troubling issue.

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Elevate

Laid back synth track. Sustained synth chords with sonic sparkles. Subtle beat drops, builds with chilled, trap-style drums and anticipatory synth chords. Dreamy and hopeful with an urban edge. Sounds like summer in the city, perfect for hazy TV/Film scene or cool, calm advert.

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Demogorgon

Short, driving synth track. Chiming, repetitive synth riff with heavy delay, pause then bouncy, bassy, arpeggiated synth build. Insistent, inspiring and assured, a colourful, neon ride through a nocturnal retro-future, perfect for a propulsive advert, or wistful, upbeat Tron-like TV scene.

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Different Rock

Serious rock/pop with beats. Slow build with bold guitars and trap beats. Subtle beats underpins wailing electric guitar and a hooky piano part, sounding like a more chilled version of System of a Down. Cocky, confident and determined, an assured rock track to suit a decisive TV moment or flashy, aspirational car advert.

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Club Inferno

Dark, shadowy electronic track. Intro fades in from darkness, wavy synths growing louder with a whistle-like synth build about to boil over. Builds again before the womps fade to nothing. Bassy, dank and murky with fizzing, feedback-like effects, would suit an edgy documentary or urban advert.

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Lost in the Grid

Deep, dark, drum ‘n’ bass. Tinny, delicate fast beat intro, joined by D’n’B beats and a chilling build on glacial synths. Full beat drops, womps over a harsh electronic beat sample , glassy and hard. Laser beats and vocal samples shoot through, building a tense, claustrophobic atmosphere. Dark, threatening and strange, a nightmarish soundscape, like a post-apocalyptic world of malfunctioning technology gone rogue.

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The Slip Up

Irish-Cretan slip-jig. Fusion of Irish and Cretan styles, Irish slip jig form played on saz (stringed instrument like an oud or mandolin), Cretan lyra and bendir percussion lending an Eastern Mediterranean and modal Arabic sound to the uptempo dance tune. Mysterious, tense and energetic; a curious, lively dance of different cultures with a singular, hypnotic sound.

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