Tender and melancholic, featuring an arpeggiated piano wrapped by a strings arrangement that make use of modern day film scoring techniques to deliver a short theme, and develop it in just 1 minute and 20 seconds. Starts with piano, and after second 40 the strings take over. It will suit short form advertising and film trailers where the music is needed to help sustaining the emotional arch of your story.
Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.
Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.
Hugely passionate, an intense dialogue of strings intertwined beautifully to create a beautiful, varied and dynamic piece. A stream of playfulness and longing, with determined and delicate sections. This feels like an emotionally charged dance, a passionate love-making session, a frenetic game, a storm ravaging the sea. Not This Day takes us through many different states, and eventually rests with a triumphant positive end.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Light and repetitive, with a slight Asian flavour given by the instrumentation and a mysterious ostinato played by a filtered glockenspiel. It has a synthetic edge that takes away any human element from the performance, making it robotic and repetitive, almost hypnotic. Yet, it does not evoke a particular sense of danger or deceit.
Atmospheric and contemplative, with a 16 bit feeling that reminds of video games from the eighties/early nineties. A hypnotic arpeggiated synth and digital flutes and bells create a sense of lightness and airiness. Zelda and Mario can finally meet up and glide azure skies with cotton candy clouds.
Emotional and tender, with an all in open-pedal piano and a light orchestral arrangement that make for a classic inspirational tune. With a grandiose feeling and a straight rhythmical pattern that gradually takes over until the end, it will suit classy short form advertising that musically needs to match a gradual grow in intensity without being too blatant.
Bright and playful, with a light folk feeling delivered by accordion and acoustic guitar. In the second part the tune is complemented by a solid and reassuring bass guitar line. Will fit 30 seconds advertising and short product showcases.
Playful and bright, with a cheerful harmonica, fiddle, acoustic guitars and percussion that make for a lively folk setting with a festive mood. Remainders of Irish and Scottish countryside, will suit village celebration scenes, travel montage.