Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.
Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.
No Lead version is lighter, more open. Perfect commercial TV soundtrack.
No Drums and No Bass versions available.
Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!
Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.
Light synth banger. Punchy, sparse synth chords introduce a 90s synth line with glassy synths washes creating atmosphere. Brash synth chords over a variation on the melodic riff with a throbbing kick drum beat beneath. A new layer of high register synth line takes things up a notch, shuffling beats add a dance flavour. More variations on the melody, drums kick in again, then an abrupt stop. Positive, hopeful and determined, driving beats to suit a reality TV challenge or slightly cheesy advert for a modern product.
Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.
Energetic and playful, with a modern pop-rock arrangement driven by a combo of acoustic/electric guitars and a four-on-the-floor kick drum that make for a fun and dynamic episode of music. Great for a variety of settings, including teen comedies scores, corporate videos and TV shows. Available with and without vocals.
Summery electronic track. Fat, warm, wobbly synth chords introduce a cute helium synth melodic motifs. The chunky beat drop, synth melody is doubled, fuller synths join. Twinkly harp-like break followed by scratchy synth, Skrillex-style D’n’B rhythms and high pitched synths. Modern, futuristic and utopian, positive, saccharine synthpop for fresh youthful adverts or fun Factual/Entertainment TV.
European-style jazz instrumental. Spanish guitar soloing furiously over a bed of walking double bass, percussion and guitar chords. Accordion takes over with a playful solo. Guitar returns, accordion provides chordal accompaniment. Fun, warm, uplifting and positive, laid back jazzy high jinks for adverts or TV/Docs/Film evoking the retro swinging technicolour of Umbrellas of Cherbourg.
Bed track chordal guitar, double bass and drums only.
Imagine Beverly Hill’s Cop mixed with a bit of “It was acceptable in the 80s” and this is what you get. Unashamedly bold drums joined by rhythmic synth stabs and bass, then for me it really comes into it’s own around one minute in, when you realise that with the introduction of electric guitar that we are actually pretty funky up in here. Elements of fast cut establishing sequences, 80s montage scenes, dance scenes, retro stuff, and some sort of comedy scene where everyone is running around a big house without everyone knowing.