Brevity Excerpt 1

A frenetic, rhythmic contemporary string piece. Sustained synth breaks into fast, rhythmic, percussive, staccato strings above a low pitched drone, eventually ending with an abrupt stop. Intense, moody, intellectual and dangerous, suitable for an arthouse version of Jason Bourne, a slick automobile advert or a psychological thriller.

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Adventures In Flying

The bombastic blast of a military marching band. Brash horn blasts and pounding drums move to playful percussive sound effects, before rumbling timpani, ascending horn lines and rat-a-tat snare take us to the victorious high note. Bold, stirring and recklessly patriotic. Suitable for retro army spoofs, light-hearted battle sequences and TV adverts featuring a battle against germs and stubborn stains.

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2012 Action

A tense orchestral build. Sustained string sections followed by a quiet moment of pizzicato, before a final dramatic calamitous crescendo. Gripping, intense, scary and nerve-wracking. Things are not looking good for our protagonist in this scene. It’s a matter of life and death.

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AP Comedy Live 60 secs

Amazing orchestral production in a zany comedy farce. It’s a full on circus of errors, the feeling of a scene where everything is happening and anything can happen. Short and sweet, with a pause for effect before a blasting end. Full live orchestra. Suitable for rich comedy moments, classic cartoon and fun adverts.

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Suit and Tie

Hip hop instrumental with samples. 90s-influenced punchy piano samples, fleeting string samples, sparse synth melody, 90s beats and a magical orchestral sample. Hopeful, upbeat and summery, yet strange and tense, perfect for a slightly tense build-up onscreen. Breezy 90s vibes with a hint of strange uncertainty.

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Big Hublot

Sample-heavy 90s influenced hip hop track. Synth electric guitar plays a tense riff over various samples, including hand claps, vinyl scratches, radio static, organ, hand drums, tambourine and flute, and dark hip hop beats. Tense and slightly sinister but cool and collected,with a hint of dangerous fun, perfect for an atmospheric, streetwise advert or TV/Film sequence set in a dangerous neighbourhood where anything can happen.

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Maxwell’s Demon

Piano-led orchestral/beat mash-up. Jazz drum intro, choppy jazz piano motif, driving drums. Orchestral strings join, smoothing out the disjointed piano, followed by edgy trap beats. Strings soar over the beats and grown-up piano. Abrupt ending. Jittery and excited at first, maturing throughout to a confident, epic piece. Would suit an advert for a transformative product, or a tv show interlude. A before and after from likeable and clumsy to impressive, mysterious, measured and powerful.

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Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

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The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before AmĂ©lie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Angel

Searching and feel-good. Soft Folk melodic tones are joined by guitar, piano, angelic vocals and rhythm that reminds me of “Close to me” by The Cure, except this is pure, wholesome and moving. Definitely moving, you feel yourself either running or flying across landscapes. Fiercely positively driving, that’s the way to describe it I reckon. For ads and campaigns, with the message that we’re getting somewhere, it’s all going to be alright.

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