Gritty grunge rock. Light, scratchy electric guitar intro, followed by all out fuzzy effects-laden guitar chorus. Simple bass guitar and steady drums accompany a lighter break before the heavy chorus re-enters. Righteous, punchy and perfect for slow head-banging, like early Nirvana, 90s grunge to suit dark TV/Film, incendiary documentary scenes and reckless adverts.
Tag Archives: Heavy
STFU
Bass-heavy R’n’B/trap instrumental track. Heavy bass synth underpins the track while siren-like synths cry out overhead over blobby and trap beats. Dark, edgy and confident, suitable for adverts or Film/TV scenes of stylish kids in the club, posing and chilling to this.
High Roller Jack
Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.
Medley: The Drink, The Sound, The Sea Elephas
Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.
Kidnap In Karachi Part 2
Mournful string track. Atmospheric noise, sad strings and heavy piano play a desolate melody. Unsettling, resonant background noise brings a threatening new dimension. Supernatural, doom-laden and bleak, funereal music for negative adverts or hopeless TV/Film scenes.
Kids, Knives, Broken Lives (Instrumental)
Distorted synth track. A dramatic, industrial-sounding build followed by broad beats and a heavy synth line. Melodic yet heavy, edgy and cool, this track would suit a tense contemporary thriller, crime drama or urban advert.