Tag Archives: Inspiring

Maxwell’s Demon

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Piano-led orchestral/beat mash-up. Jazz drum intro, choppy jazz piano motif, driving drums. Orchestral strings join, smoothing out the disjointed piano, followed by edgy trap beats. Strings soar over the beats and grown-up piano. Abrupt ending. Jittery and excited at first, maturing throughout to a confident, epic piece. Would suit an advert for a transformative product, or a tv show interlude. A before and after from likeable and clumsy to impressive, mysterious, measured and powerful.

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African Rhythm Layers

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Wonderfully percussive and relaxed, bit like a version of Nick Drake, near a river, on a Kora, building into something more positive and hopeful as it progresses. Wild but gentle, short but sweet.

      African_Rhythm_Layers-JPM

Postcard for Dominie

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Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

      Postcard_For_Dominie-JPM

The Jester

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Wistful solo piano. Dramatic, comedic chordal piano descent before Amélie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Byron

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African jazz-style instrumental. Dynamic drum intro, bold brass enters in unison, African-style jazz guitar, Étiopiques-style keys and lively marimba before a siren-like chiming, dissonant brass build, over increasingly frenetic marimba. Returns to jazz groove with a sax solo on top and a repeated melodic motif underneath on keys. Full band to the end. Joyful and excited, reckless and strange at times, would suit an upbeat summer advert, or as evocative mood music for a travel documentary.

      Byron-JPM

Angel

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Searching and feel-good. Soft Folk melodic tones are joined by guitar, piano, angelic vocals and rhythm that reminds me of “Close to me” by The Cure, except this is pure, wholesome and moving. Definitely moving, you feel yourself either running or flying across landscapes. Fiercely positively driving, that’s the way to describe it I reckon. For ads and campaigns, with the message that we’re getting somewhere, it’s all going to be alright.

      Angel_Instrumental-JPM

October

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Folk roots, with vox, piano and guitar, building with anticipatory percussion (hi-hat and tambourine), breaking from a walk into an effortless run. Vocals pushing the fantasy but never in a way that leaves reality. For ads and campaigns, with the message that something magical, wonderful is happening and you’re all invited.

      October-JPM
      October_Instrumental-JPM
      October_short-JPM
      October_30_Sec_Ad-JPM

One Foot In The Groove

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Funky, upbeat indie-guitar instrumental. Punchy drum intro, groovy 70s guitar riff, piano chords. Psychedelic Doors-style 70s Rhodes piano introduced, wailing brass. Back to just guitar and drums for a decisive ending. Fun, joyful and exciting. Inclusive rock ‘n’ roll that has the whole family strutting and swaggering on a feel-good advert or wholesome TV show about a quirky family of aliens living regular lives on planet Earth.

No Drums version available. Perfect theme music for a Hollyoaks-style teen family drama or comedy.

1 min and 30 secs ad length versions available.

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      One_Foot_In_The_Groove_No_Drums-JPM
      One_Foot_In_The_Groove_1_Minute-JPM
      One_Foot_In_The_Groove_30_Secs-JPM

5 Silver Line (suite)

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Running over the hills, through the forest, but like, as fast as the wind. In black and white, as part of a dramatic film sequence (or an advert for Jägermeister) – is my exploitative interpretation of this brilliantly thumping and atmospheric track. Tribal drums (in the folk sense?) perfectly synchronised with acoustic guitar keep you on your toes with off-kilter time signatures and dramatic flourishes. The vocal version adds a close but haunting feel pushing you like the wind… you can probably tell I like this track. Imagine Woodkid, if Woodkid was good.

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      5_Silver_Line_instrumental-JPM
      5_Silver_Line_instrumental_with_BVs-JPM

Getaway

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Everything is going to be alright in the wide American open. Wholesome, unmistakably positive and with a message of hope. Full band with piano, strummed acoustic guitar, joined by harmonica and some confident hammond organ later in the song. Earnest and optimistic. Good for American adverts about family, getting together, doing nice things.

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