Triplet Storm Part 1

Arpeggiated synth track. Fast synth arpeggios, vast and expansive, spread out across a fantasy world, changing in texture and volume, morphing yet insistent. Dark, introspective and epic, perfect computer game soundtrack or soundscape for a rigorous podcast or factual documentary.

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Different Rock

Serious rock/pop with beats. Slow build with bold guitars and trap beats. Subtle beats underpins wailing electric guitar and a hooky piano part, sounding like a more chilled version of System of a Down. Cocky, confident and determined, an assured rock track to suit a decisive TV moment or flashy, aspirational car advert.

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Armageddon Voucher

Bloopy electronic with feedback and sound effects. Opening synth phrase on repeat, creating a sense of propulsion. Noise and deep, grounding sound effects create a dark, murky atmosphere. Grows in volume and intensity before the noise drops out halfway through. The synth idea drops out and woozy, dreamlike synth drones are drowned out by harsh electronic feedback noise. Driving, hopeful and tense to begin with, then abstract, intense and overwhelming. Perfect for a sci-fi world or frightening documentary about the future of humankind.

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Friday (Woohoo!)

Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!

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Too Much Noize

High energy rock. Tight drums, scuzzy electric guitars, fast paced and heavily compressed. Fast drum break and frantic electric guitars to finish. Upbeat, confident and direct, in-your-face with plenty of Queens of the Stone Age swagger to suit an advert with attitude, Top Gear-style daredevil TV.

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Base Jumper

Grungey rock ‘n’ roll instrumental track. Rage Against the machine-style guitar riff, steady drums, followed by a Nirvana-style more downbeat riff with more prominent bassline, ending on the original high-octane guitar section. Angry, powerful, loud and proud, classic 90s rock perfect for energetic TV interludes, adverts for flaming whopper burgers, or for a powerful film scene representing a challenging character in defiance of authority.

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King of the Road

Instrumental rock ‘n’ roll track stomper with attitude. Drum intro followed by punchy guitar riff. Builds in texture with more guitar and drums. Upbeat guitar break with dynamic bass guitar line, before the energetic, raucous chorus resumes. Everything repeats, before an all-out guitar shredder of a finale. Bold, brash and in-your-face, perfect for a bolshy teen drama montage or a high-octane but good-natured car chase.

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Not For Nothing (Suite)

Instrumental indie rock ‘n’ roll stomper. Pounding drum intro, electric guitar riffs, a steady mid-tempo groove and an angular lead guitar solo. Brash, loud and in-your-face, suitable for an attention-grabbing advert, a dash across a busy city or a Film/TV sequence requiring rock ‘n’ roll attitude.

1 minute and 30 second ad-length versions available.

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Heading Up

Bouncy electronic pop track. Fat summery synths, electronic beats and male vocal sample ‘Hey’s set the upbeat tone. Vinyl-scratching samples, more bouncy synths and hip hop beats create a fun but edgy summery vibe. Determined, cool and a bit flashy, a slight cheesy Calvin Harris synth feel, perfect for brash adverts or Hollyoaks-style TV interludes.

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Deadly Temptation (Suite)

A fully-fledged rock ‘n’ roll belter. Massive guitar sound and pounding drums burst on the scene before a dramatic stop. Throbbing bass guitar and 4/4 drums settle into a steady groove under bright guitar chords. Heavier guitar chords lead to another full-stop. A new section heralds two interlaced virtuosic guitar solos. The groove re-enters under screeching guitars, keeping a tight, steady beat until the definitive ending. Bold, loud, proud, masculine- rock out with your c**k out. Made to accompany film/tv bar brawl scenes, purposeful strides away from exploding buildings and adverts for kick-ass products.

Vocal version is exactly what you’d expect it to be: a shrieking classic male rock vocal.

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