Don’t Let Me Slide

Uplifting orchestral pop instrumental. Piano block chords intro with string swells. Beats join, followed by a chorus of bright piano chords and soaring orchestral strings with electric guitar ringing out above. Verse again, then upbeat chorus with extra electric guitar cutting through the orchestral bed. New section of acoustic, electric guitar and anticipatory drums before a return to the right-on guitar peals and full pop/rock chorus featuring slide guitar. Confident, hopeful and positive, bright-eyed and bushy-tailed classic American radio pop/rock. A perfect, slightly cheesy, accompaniment to an audacious advert or rousing TV/Documentary scene.

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Morning Pulse

Light electronica. Track wakes up with an synthesised yawn, sunrise bursts in the sky with electronic sound effects. Female vocal samples, synth effects and ocean sounds wash over shuffling 90s-style drum beats. Dreamlike, peaceful and hopeful, suitable as a hazily positive TV ident or for a short inspirational advert for the dawn of something new.

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White Muki

Gentle instrumental on piano and percussion. Melodic percussion intro rings out, like a lullaby played on gamelan and church bells. Melodic passage on harpsichord and guitar alternates with a gentle piano section. Synth strings swell, sounding like a choir. Comes to a quiet finish. Hopeful, tender and soothing, a reassuring, enveloping sound, perfect for a comforting advert for a trustworthy, caring product.

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SH_Chimes

Spacey drone soundscape. Electronic drone like a radiophonic sound experiment builds to include brass and orchestral instruments, suddenly situating us in outer space. Shifting chords give a note of hope and positivity, pizzicato orchestral strings tip-toe on the floating drone bed. Strings reach a minor chord, a hint of danger before a quiet resolution. Meditative, floaty and dreamy, a calm and peaceful journey through the quiet of space with hints of tension, perfect for a documentary about celestial bodies or a human drama on the big screen.

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Wild Nature

Uplifting guitar track. Guitar intro builds anticipation with repetitive, effects-laden guitar riffs. Strummed acoustic guitar chords and gentle percussion create an insistent bed, laid back electric guitar rings out on top. Hopeful, peaceful and quietly positive, guitar parts like U2’s more gently euphoric build-ups. Perfect for emotional TV drama or film scenes, when passionate feelings can no longer be denied.

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Starjunk

Cute, euphoric EDM. Fat synth chords, laser beats, accelerating bouncy sound effects and a 5-4-3-2-1 countdown build anticipation before the drop into colourful, brain-candy EDM. Calvin Harris meets PC music, fat 80s synths and banging beats mixed with cutesy sound effects and saccharine synth happiness. Positive, summery and fun-filled, perfect for a summer advert, with young, cool people raving on a roof, or for feel-good Reality TV.

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Ghost in the Machine

Ambient, uplifting guitar track with electronic and orchestral elements. Woodwind intro like a call to the wind. Atmospheric, bleepy electronics seep in, joined by heavily effects-laden electric guitar cutting through the dreamy atmosphere. Horns and woodwind add to the growing soundscape. Incongruous electronics and spacey synths add off-kilter interest. Woozy, peaceful and meditative, a hopeful, enveloping atmosphere suited to TV Drama, inspiring documentaries or epic adverts.

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Resort by the Ocean

Sparkling synthpop. Delicate beats, funky muted bass line and shimmering sweeping spacey synths. Atmospheric, ambient and hopeful, calm yet fun, perfect positive background music for a chilled advert or a reality TV show where robots go to Ibiza to find love.

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Ground Shaking

Rhythmic percussion track. Punchy drums and tight beats call and answer. Dynamic percussive phrases grow to an energetic combination of drums, beats and electronic vinyl scratching-style effects. High-octane, upbeat and determined, a powerful, confident track for a snappy advert for a fashion brand or drinks product.

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It’s Just What I Think

Nostalgic soundtrack to kids playtime. Naive intro on warm, retro keys. Joined by sound effects, tinkling cans and crunching paper. Vocal ‘Ooohs’ enter with uplifting drums, interrupted by spoken word samples. A steady drum beat, keys and percussive tin can groove settles in, sounding like a microscopic recording of ants in work in the backyard. A new synth-led section brings fantasy, twinkling lights and gurgling sound effects, before a return to the melody with added percussive effects. Innocent, hopeful and nostalgic, suitable for a heartwarming advert looking at families, kids and the joys of childhood.

Instrumental and vocal versions available

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