Go Wit Tha Motion 2

Hip hop/ R’n’B instrumental. Single piano notes, high-pitched sound effects and a female vocal sample introduce a percussive synth melody. Restrained, sparse hip hop beats joined by high hat trap beats. Mid section with heavier, fuller dark beats and synth riff. Subtle, sparse and moody, perfect for a street scene on a TV drama or for a downbeat advert for urban clothing.

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Stadium 1

Dark atmospheric electronics. Quiet, desolate intro of electronic drones and feedback. Strange percussion creeps in with wonky bending notes sounding like a drunk cello. The instruments are swamped by a wave of electronics. Tense, mysterious, frightening and other-worldly, suitable for a strange, supernatural TV drama or a trippy movie scene.

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One Day

Melodic trap. Trap beats from the get go with pretty Noname style jazz chords on keys. Electronic samples and laser synths cut through the relaxed, hazy atmosphere. Beat break with wavy synth notes singing out before the melodic chords return. Chilled, peaceful and hopeful, a cool, laid back track perfect for summer adverts for streetwear brands.

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Street Life

Minimal trap. Fat synth intro, joined by trap beats and percussive bell samples. Extra beats added, builds the texture. Minimal and sparse overall. Moody, urban and a little bit dark,perfect for an advert for streetwear or for an edgy youth drama on TV/Film.

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Morning Pulse

Light electronica. Track wakes up with an synthesised yawn, sunrise bursts in the sky with electronic sound effects. Female vocal samples, synth effects and ocean sounds wash over shuffling 90s-style drum beats. Dreamlike, peaceful and hopeful, suitable as a hazily positive TV ident or for a short inspirational advert for the dawn of something new.

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It’s Just What I Think

Nostalgic soundtrack to kids playtime. Naive intro on warm, retro keys. Joined by sound effects, tinkling cans and crunching paper. Vocal ‘Ooohs’ enter with uplifting drums, interrupted by spoken word samples. A steady drum beat, keys and percussive tin can groove settles in, sounding like a microscopic recording of ants in work in the backyard. A new synth-led section brings fantasy, twinkling lights and gurgling sound effects, before a return to the melody with added percussive effects. Innocent, hopeful and nostalgic, suitable for a heartwarming advert looking at families, kids and the joys of childhood.

Instrumental and vocal versions available

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Light Wind

Naive hyperpop. Catchy synth melody over sweet synths and a serious beat build. Beat drops, wobbly synths, whooshing samples and warm, enveloping, pretty chords. Another build, squeaky synths and a beat break. Happy, sincere, cute and sparkly, like the bonkers kawaii of PC Music, or computer game music, perfect for Reality TV montages/interludes, or adverts for young and fun summer festivals, or rainbow computer game fantasy worlds.

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Future Dreams

Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.

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Evolving

Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.

No Lead version is lighter, more open. Perfect commercial TV soundtrack.

No Drums and No Bass versions available.

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HEY

Bluesy rock ‘n’ roll track. Brazen electric guitar riff and wailing guitar feedback, joined by punchy drums and a funky bass line. A new guitar melody followed by a new section, more electronic, glitchy and sample-heavy, moving into espionage movie territory. Brash, urgent and confident, like Red Hot Chilli Peppers soundtracking a Jason Bourne film, perfect chase music, either by car or on foot, through unfamiliar urban streets, or across continents.

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