Summery electronic synth track. Wonky pitch shifting synth intro, upbeat drums kick in, bright, breezy, summery synths and warm sustained synths, underpinned by 90s hip hop beats. Vocal sample to finish. Happy, hopeful and optimistic, perfect for a an advert/TV/Doc requiring summer vibes and a fuzzy retro sound.
Smooth lounge jazz number. Piano chords, double bass patter and soft drums begin, joined by wistful saxophone melody. Piano takes a dynamic solo accompanied by drums and more busy double bass. Back to emotional sax melody. Nostalgic, warm and fuzzy, yet cool and laid back, perfect for a romantic old-school TV/Film sequence, Casablanca-style star-crossed lovers staring sadly into their stylish cocktails, intoxicated by love.
Bed track has No Saxophone.
Jazz instrumental. Electric guitar phrase repeated, marimba enter with a contrasting motif, dynamic drums and breezy brass on top. Short break before a funky bass, marimba, keyboard and sax solo section. 70s wocka wocka electric guitar with polyphonic rhythms. Psychedelic keyboards continue the 70s vibe with jazz brass. Gentle, bubbling guitar and keys section, drums join and brass re-enters. Ends on a blast of brass. Fun, sophisticated and positive, would suit a documentary, film trailer or some other journey on film, effortlessly moving across borders, styles and genres.
Solo jazz piano. Slow-paced, measured jazz piano chords, starts gently, growing in intensity throughout with clashing and resolving chords ebbing and flowing, like inner turmoil. Romantic, thoughtful, wretched in equal measure, perfect for a quiet, pensive film moment, our troubled character unable to decide a course of action in love.
Wistful solo piano. Dramatic, comedic chordal piano descent before Amélie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.
Folk roots, with vox, piano and guitar, building with anticipatory percussion (hi-hat and tambourine), breaking from a walk into an effortless run. Vocals pushing the fantasy but never in a way that leaves reality. For ads and campaigns, with the message that something magical, wonderful is happening and you’re all invited.
Running over the hills, through the forest, but like, as fast as the wind. In black and white, as part of a dramatic film sequence (or an advert for Jägermeister) – is my exploitative interpretation of this brilliantly thumping and atmospheric track. Tribal drums (in the folk sense?) perfectly synchronised with acoustic guitar keep you on your toes with off-kilter time signatures and dramatic flourishes. The vocal version adds a close but haunting feel pushing you like the wind… you can probably tell I like this track. Imagine Woodkid, if Woodkid was good.
A strong industrial beat joined by a strident classical strings and mandolin-like synth, introduces a sampled female vocal singing “I’ll drive down these roads”. Massive, triumphant, fanfare, orchestral big beat / in your face hip hop. This has got car advert all over it.
A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.
Relaxed and positive, with gentle indian instrumentation including tabla and sitar-like guitar. It doesn’t do much, just holds it’s space with a rich upright bass sound and the introduction of rhodes at 2:45, it would be almost lazy if it wasn’t for the tabla pushing things along with its crisp melodic insistence. The feeling I get with this track is like I’m drifting serenely down a river, and everything is totally ok with the world. Reassuring. Perfect for branded content with themes of travel.