A 90s-inspired-by-the-70s chill-out jazzy hip hop jam with drums, bass and keys. Drums and bass keep things steady as mellow repeated keyboard chords and a twinkling keyboard motif play on top. Cool, romantic, laid back and warm, this mellow jam would suit retro tv and film scenes where our character drives or struts through familiar streets.
Sombre, pensive solo piano track. Slow-moving block chords. Cello joins. Slow, measured phrases soothe and calm. Thoughtful, emotional, sad but with a hint of light at the end of the tunnel, would suit an emotionally fraught TV/Film scene of mourning or dwelling on a difficult past or broken relationship.
Solo Piano version available.
1 min and 30 sec ad length versions available.
Contemplative interlaced harp and piano. A repetitive harp intro is accompanied by sparse piano chords, interweaving, questioning and answering each other. Ever changing piano chords shift the mood, creating sombre moments as well as moments of hope and clarity. Sparse, delicate and emotional, torn but determined. Driving in a car through suburban America, Autumn leaves falling, crunching underfoot. Ringing out changes.
Harp and No harp versions are simplified melodies with an added synth drone.
An atmospheric slow-building track. Sustained synth notes cut through with glassy, overtone-like sound effects. This intensifies and fades as the track progresses, sometimes interspersed with bursts of mellow static. A fragile regular beat is established, then fades out. Fuller synth chords emerge. The thin beat is re-introduced, accompanying a slowly shifting progression of synth chords and radio static. A short, simple synth melody enters over the shifting chords and regular beat, turning into a single repeated note by the end. Hypnotic, chill, mysterious, icy cool. On film, accompanying an enigmatic landscape, real or imagined, a cold barren place at dusk or a bleak situation.
Hip hop instrumental with samples. 90s-influenced punchy piano samples, fleeting string samples, sparse synth melody, 90s beats and a magical orchestral sample. Hopeful, upbeat and summery, yet strange and tense, perfect for a slightly tense build-up onscreen. Breezy 90s vibes with a hint of strange uncertainty.
Thoughtful acoustic guitar instrumental. Quiet acoustic guitar intro, freeform strummed section, back to original motif, building in intensity and volume. Pensive, nostalgic at first, becomes more emotional and forceful, would suit a contemplative documentary scene, stirring from thoughtfulness into action.
Atmospheric droney strings and electronics. Sustained string drone under sparse plucked cello and fleeting, shifting electronics. Foreboding, threatening and chilling, would suit an eerie TV/Film/Doc scene, where an as-yet-unrevealed threat lies close by.
Night Falls 2 features bowed cello melody snatches.
Ambient Strings Stem.
Bass Stem.
Other stem tracks available.
Solo jazz piano track. Dramatic sparse piano chords, with quieter, sweeter interludes. A dissonant chord break with moments of consonance and hope, before a melodic slightly lounge-jazz section. Another chord break, returns to sparse, lovelorn chord clashes. Another moment of sweet reverie before the final despairing dramatic chords. Romantic, melancholy, thoughtful, would suit a reflective arthouse Film/TV scene, a lonely walk, conflicted, thinking of the other, or sitting at the bar, alone and dishevelled.
Simple wistful piano piece with subtle orchestral strings, nodding to “Somewhere Out There” in Disney’s “An American Tail”, but usable in many poignant moments. I can imagine this in a campaign video asking people to help donate to a charity, or a sad but hopeful scene in a wholesome family series.
Mellow and sincere, 3 minutes piece of tender arpeggiated piano that playfully places itself on the boundaries between melancholy and happiness. It is gentle but firm in its unraveling, suggesting a scene where your character can face its fate without fear of failing or pain. Several applications possible, from emotion driven soundtracks to classy corporate advertising.