Get Charged (Righteous Remix)

Funky 90s vocal and sample track. Vocals burst in from the start, laid back 90s samples, squelchy beats, cymbals, funky keys. Added orchestral strings add a serious note under the breezy beats. Chilled and cool with a slightly serious edge, a mash up of samples and influences, swinging between cool and intense. Ultimately a funky call to action.

Non-vocal version available.

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Zing Wezé Mama

Upbeat Africa-inspired piano track with vocals. Orchestral strings, spirited African vocals, rousing percussion and hopeful piano chords. Driving, positive and joyous, would suit a heartwarming, Africa-related advert or tv/film moment of ecstatic joy.

Instrumental version features driving piano and percussion without the vocals. Rousing and uplifting, would suit any joyous onscreen moment.

1 min and 30 second ad length version, with vocals, also available.

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Everybody Dance

Upbeat synth track with vocals. Fat arpeggiated synth, deep bassy beat, shaker-style percussion, ‘Get Ur Freak On’-style beat sample before synth chord progression build to drum break. Tracks speeds up towards the end, building in intensity before a chill, wonky beat slow down. Serious fun, playful and intense, a hedonistic 90s-inspired track for hot nights. Would suit upbeat adverts or a claustrophobic neon party scene on screen.

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Even Once (Suite)

Wistful solo jazz piano. A sustained note intro like raindrops followed by jazz chords, piano trills and a full melody. Pastoral, breathless and new, calling to mind the natural landscape, would suit a thoughtful film/doc/TV scene passing over a lush landscape refreshed and awake after a storm or a long winter.

Multi-instrumental version with warm strings, mellow saxophone and shuffling percussion joined by tinkling piano and a freak folk chorus of faraway voices, calling to mind Wickerman-style pagan England.

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Pressing Bruises

Happy piano build with vocals. Cute piano, keys, glockenspiel and hand clap intro. Anticipation builds with extra keyboards and piano chords. Female vocal ‘ooohs’ add a calming, dreamy quality. Excited, positive, relaxed and peaceful. Suitable for an advert full of anticipation that leads to a successful and calm resolution. Feels like a job well done: a beautifully painted room, a well-risen cake or a good night’s sleep.

Instrumental version available.

No Drums version available.

1 min and 30 sec ad length versions available.

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Each Day With Me (Instrumental)

Easy-going acoustic guitar track. Gentle acoustic guitar finger-picking with soft piano chords beneath. Breathy vocal ‘Ooohs’ join at the chorus. Next time round more vocals with harmonies and fuller plucked guitar. Hopeful, positive, sweet and romantic, a bit Dawson’s Creek, and as wholesome as the Gilmore Girls, perfect for a saccharine advert or thoughtful, pastoral TV/Film scene.

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Carrousel

Bleepy electronic synth track with orchestral strings and a vocal chorus. Bright glockenspiel-like synth notes ring out as the vocals and strings build to a dynamic section with more attitude. Charming with a glamorous edge, perfect for a corporate campaign video or advert for luxury goods.

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Dancing Near the Nile

Eclectic orchestral blockbuster featuring middle Eastern style violin, electric guitar, harp and chorus. Seductive percussion and snaking violin and flute intertwine over a booming timpani and subtle electric guitar. Orchestral strings add drama and intrigue. Dark electric guitar gives way to a harp and vocal segment before an epic orchestral finale complete with dramatic chorus. Dramatic, emotional, historic, ancient, evokes a sense of awakening, the sun emerging from behind clouds after centuries, calling up mystical figures of yore. Perfect for film and TV epics.

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The Sounding Joy

An upbeat acoustic version of ‘Joy to the World’. Starts with layered vocal ‘ooohs’ accompanied by ukelele, drums, bass guitar and hand claps. This reduces to percussive rhythm on ukelele and drums with vocals. ‘Ooohs’ re-enter after the chorus with some bright ukelele chords. The verse again accompanied by percussion only. At the final chorus, all instruments enter for a rousing, joyous ending. Fun, warm, happy and hopeful. A heartwarming, modern update of a classic Christmas song, this would be great in a modern Christmas film or tv special. Subtly seasonal.

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Empire

An epic orchestral track featuring strings, choral vocals and powerful percussion. Percussive blasts introduce synthesised orchestral strings. Ascending orchestral strings heighten the tension further as loud percussion rumbles underneath. Sustained notes and choral vocal effects add to the sense of danger that is developing. Main melodic theme returns with a string counter melody and high pitched choral vocals. Female choral vocals soar above the melody and percussion, bass male vocals take the lower level before the finale of sustained strings and vocals. Tense, determined, powerful and threatening, suitable for film or TV sequences showing a group’s determination and strong will in the face of a common enemy, set on a vast and unforgiving landscape.

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