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Forever’s Not Long Enough

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Uplifting piano and guitar rock instrumental. Gentle piano chord intro building anticipation. Washes of synth and heartfelt electric guitar notes build to a strummed acoustic guitar section. Builds to full-bodied, inspiring chorus lead by guitar. Emotional, subdued mid section builds back to hopeful chorus with added string parts. Excited, driven and positive, heartwarming soft rock, perfect for a wholesome advert or as optimistic background music for daytime TV.

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An Unusual Journey

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Playful orchestral track. A jaunty woodwind motif to begin, joined by sparse glockenspiel setting a cheeky and playful tone. Languid strings join, adding an air of grandeur. Strings take prominence, woodwind takes an accompanying role. Then short bursts of strings interspersed with determined oboe. Stronger string section builds to a call and answer between gentle woodwind and serious strings, before calm finish. Pastoral, light-hearted, with serious undertones, like the Animals of Farthing Wood bounding among the trees only to come across a gun-toting farmer, before an ingenious escape. Perfect music to accompany intriguing documentary scenes about nature and animals, or reality TV, showing humans in their natural habitat.

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Phantom Pariah

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Spooky atmospheric electronics. Dark soundscape, ambient noise like a distant vehicle, A flurry of electronics and threatening horn-like sustained blasts come and go like scurrying creatures. Alien-like samples build the tension further. Frightening, horrifying and chilling, the sound of an invasion of planet earth by intergalactic rat aliens, for troubling Docs and comedically freaky TV.

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Night Falls OG

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Clean electronic track with drones. Slow, sustained harsh electronic, sitar-like drones, high pitched and spiritual. The tune drops, bleepy, cute and warm, sounding ultra modern with a suggestion of African rhythms. Drones re-enter, causing an interesting clash of moods, bright and bubbly vs pensive and introspective. Beat break, beats return and drones intensify. Mysterious and other-wordly, new and ancient, sparkling electronics contract with harsher, earthier tones, at once like Mura Masa feat, Charli XCX and Indian classical music. Would suit a fresh advert or TV show, visuals both cutting edge and ethereal.

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Fuse

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Gritty grunge rock. Light, scratchy electric guitar intro, followed by all out fuzzy effects-laden guitar chorus. Simple bass guitar and steady drums accompany a lighter break before the heavy chorus re-enters. Righteous, punchy and perfect for slow head-banging, like early Nirvana, 90s grunge to suit dark TV/Film, incendiary documentary scenes and reckless adverts.

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Sunset on the Beach

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Classic surf rock. Drum intro, followed by mysterious bass guitar, then wonky effects-laden surf guitar chords like the wavy sky at sunset.. Bass and drums underpin a plucked guitar section, joined by the vintage sound of Hammond organ and more distorted electric guitar chords. Wobbly surf guitar solo, then organ break over big chords. Another guitar solo to fade out. Cool, seductive and atmospheric, a retro nod to the music of Quentin Tarantino films. Pure Pulp Fiction, would suit an advert playing on cult film references, or involving smokin’ hot BBQ meats, or a TV homage to Twin Peaks-style dark Americana.

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Time For Action

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Upbeat electronic instrumental. Pulsating beats, fast and fleeting arpeggiated synth and brash, fat synth melody line. Insistent, driving and determined, bold electronic sounds, perfect for high-octane sports coverage, reality TV or as dramatic, anticipatory music for a tension-building advert.

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Sure Thing

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Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.

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Fired Up

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Upbeat indie rock instrumental. Introductory electric guitar riff, followed by energetic, pounding drums. A sharp stop and then a new section. Melodic bass lines and a rough, punky guitar sound bring to mind The Clash, but are closer in mood and feeling to Naughties British indie pop/rock like Artic Monkeys. Fun, youthful and jaunty with a heavier edge, perfect chase music, for bright, high-octane adverts or TV/Film montages where all the action happens.

No Guitar and No Drums versions available.

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Bleeps

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Electronic instrumental with samples. Gradual build. First, a beat and electronic sound effects, hi hat drums added, other electronics join. Full melody join, the beats settle into a steady groove. New section introduces laser synths and whooshing electronics before the beat re-emerges with simple repetitive synth, a powerful, purposeful strut. Intriguing, playful and mysterious, like the quirky electronics of Moderat. Suitable for a European advert, maybe for a car that can navigate tiny Italian streets. Could also accompany a determined character on TV/Film.

Ad length versions available.

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