Emotional and delicate, a pianoforte performance that makes sapient use of harmonics and arpeggio technique to deliver a poignant yet firm episode of music. It builds a substantial amount of emotional content without never being too blatant or showy. This would suit romantic dramas and similar applications, possibly where a solo character is involved.
Delicate yet jumpy and surprising, with a structure that spans through 4 different musical ideas and arrangements throughout the piece. A classical and poignant orchestral start followed by a paced, urged second section. After that, a solid rhythmical element enters the scene and takes the piece at its maximum level of complexity. The last part is left to a somber and saturnine piano with the help of rarefied woodwinds inserts. Overarching all these shifts, a feeling of melancholy and yearning, a flower full of hope.
Delicate and touching, with a gentle piano performance and an acoustic guitar that make for a tender impression in the vein of melancholic comedies but also period dramas. An acoustic guitar introduces us to the theme in the first 20 seconds, creating the space in the middle part for a grand piano to complement the scene. Towards the end of the piece the latter is protagonist and uses both hands to fulfil the arrangement.
Tender and melancholic, featuring an arpeggiated piano wrapped by a strings arrangement that make use of modern day film scoring techniques to deliver a short theme, and develop it in just 1 minute and 20 seconds. Starts with piano, and after second 40 the strings take over. It will suit short form advertising and film trailers where the music is needed to help sustaining the emotional arch of your story.
Mellow and sincere, 3 minutes piece of tender arpeggiated piano that playfully places itself on the boundaries between melancholy and happiness. It is gentle but firm in its unraveling, suggesting a scene where your character can face its fate without fear of failing or pain. Several applications possible, from emotion driven soundtracks to classy corporate advertising.
Bright and smooth, with groovy medium-tempo beats, 90s synth leads, and soothing female vocals that bring a Protection-like Massive Attack flavour to the scene. It delivers early Trip-Hop elements in a kind of hopeful mood. Would suit promo and corporate videos, but also play well as soundtrack for fiction films.
Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.
Delicate and light, no frills piano solo theme that falls into romantic and emotional domains. It changes to a mildly more playful accent in the middle sections, but overall keeping an overarching melancholic feeling. Performed with a truthful and honest human touch.
Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.
Sparse plucked Cello, calm and slightly wry, anticipating something, a note of unease. Then out of nowhere urgent and plaintive bowed cello and violin. Rhythmic at first then suspending itself with long drawn out notes. At 4:14 there is a unified statement, uneasy and dissonant. It feels like someone is valiantly struggling to pull themselves up but can’t do it. They try harder and more desperately but the forlornness of the situation overtakes them, they pause, then after a last effort they fall to their doom. If you were ever narrating an Edgar Allen Poe story, this would be the soundtrack to it.