Don’t Let Me Slide

Uplifting orchestral pop instrumental. Piano block chords intro with string swells. Beats join, followed by a chorus of bright piano chords and soaring orchestral strings with electric guitar ringing out above. Verse again, then upbeat chorus with extra electric guitar cutting through the orchestral bed. New section of acoustic, electric guitar and anticipatory drums before a return to the right-on guitar peals and full pop/rock chorus featuring slide guitar. Confident, hopeful and positive, bright-eyed and bushy-tailed classic American radio pop/rock. A perfect, slightly cheesy, accompaniment to an audacious advert or rousing TV/Documentary scene.

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Kronos

Piano and orchestral string build. Orchestral strings undulate under soaring strings building to a powerful percussive section with vocal-like electronic samples and continuing epic strings. Quiet section with vocals then percussion rejoins building anticipation and tension to a multi-layered textural soundscape. Contrasting soft piano section to finish. Strange, dark and intriguing, pagan sounds reminiscent of singular Scandinavian pop like the Knife. Perfect for an onscreen threat or a bold, epic and uncanny film or TV scene.

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I Can Be Fearless

Driving alternative rock instrumental. Subtle electronic swoosh before simple strummed electric guitar riff. Effects and light keys added. Extra electric guitar line joins before the full alt rock chorus blast, uplifting and euphoric. Chilled verse with chiming anticipatory guitar before full chorus returns. Rocking mid section with punchy guitars and 60s keys. Chiming guitar duet takes things down a notch before the driving chorus. Single guitar outro. Brash, bold and excited, 90s alt rock throwback, perfect as upbeat TV background music or for a slick, rocking advert.

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Repugnant Criminal Theme 1 (Suite)

Foreboding orchestral track with female vocals. Melodramatic build with pounding percussion and unsettling sound effects leading to a choppy violin theme. Soaring violins and operatic female ‘Aaahs’ adding tension and excitement. Bold, grandiose and suspenseful, the perfect soundtrack to an action-packed advert or theatrical film trailer.

No Strings and Strings Only versions available

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A to the K

Full bodied laid back hip hop, I can see California lens flare, sunny cruising past beautiful people, feels urban but crisp with bold beats, lush synth chords and intricate DJ scratching. Clean, fresh and cool, with a sense of power and style. Would work in promos, car related programmes, or any stylish showcase segment. Like Summertime by Jazzy Jeff and the Fresh Prince, but without Will Smith trying to rap and much much cooler. Highlight is the massive chorus section at 1:16 – full of sweet synth impact.

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Time For Action

Upbeat electronic instrumental. Pulsating beats, fast and fleeting arpeggiated synth and brash, fat synth melody line. Insistent, driving and determined, bold electronic sounds, perfect for high-octane sports coverage, reality TV or as dramatic, anticipatory music for a tension-building advert.

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Base Jumper

Grungey rock ‘n’ roll instrumental track. Rage Against the machine-style guitar riff, steady drums, followed by a Nirvana-style more downbeat riff with more prominent bassline, ending on the original high-octane guitar section. Angry, powerful, loud and proud, classic 90s rock perfect for energetic TV interludes, adverts for flaming whopper burgers, or for a powerful film scene representing a challenging character in defiance of authority.

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King of the Road

Instrumental rock ‘n’ roll track stomper with attitude. Drum intro followed by punchy guitar riff. Builds in texture with more guitar and drums. Upbeat guitar break with dynamic bass guitar line, before the energetic, raucous chorus resumes. Everything repeats, before an all-out guitar shredder of a finale. Bold, brash and in-your-face, perfect for a bolshy teen drama montage or a high-octane but good-natured car chase.

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Thrill of the Kill

A synth-rock banger. Drum intro builds to electric guitar riff with pounding drums, a more melodic section is followed by a drum break,tension building to the max before the original theme returns with a vengeance. Dark, edgy, brash, rock ‘n’ roll, suitable for Fast and the Furious-style macho Film/TV scenes, or for ads for flaming massive whopper burgers with extra spicy sides…not for the faint-hearted.

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STFU

Bass-heavy R’n’B/trap instrumental track. Heavy bass synth underpins the track while siren-like synths cry out overhead over blobby and trap beats. Dark, edgy and confident, suitable for adverts or Film/TV scenes of stylish kids in the club, posing and chilling to this.

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