Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

      Postcard_For_Dominie-JPM

The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before AmĂ©lie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Night Falls (Suite)

Atmospheric droney strings and electronics. Sustained string drone under sparse plucked cello and fleeting, shifting electronics. Foreboding, threatening and chilling, would suit an eerie TV/Film/Doc scene, where an as-yet-unrevealed threat lies close by.

Night Falls 2 features bowed cello melody snatches.

Ambient Strings Stem.

Bass Stem.

Other stem tracks available.

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      Night_Falls_2_Full-JPM
      Night_Falls_Ambience_String_Stem-JPM
      Night_Falls_Bass_Stem-JPM

Manifest

Solo jazz piano track. Dramatic sparse piano chords, with quieter, sweeter interludes. A dissonant chord break with moments of consonance and hope, before a melodic slightly lounge-jazz section. Another chord break, returns to sparse, lovelorn chord clashes. Another moment of sweet reverie before the final despairing dramatic chords. Romantic, melancholy, thoughtful, would suit a reflective arthouse Film/TV scene, a lonely walk, conflicted, thinking of the other, or sitting at the bar, alone and dishevelled.

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Farewell Lionhead

Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ  Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.

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Riviera Swing

Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.

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Start again

Sincere and relaxed, with piano, glockenspiel, and vocals that make for an acoustic pop song. It follows a common structure stanza/chorus/stanza/chorus, alternating vocals with glockenspiel to sustain the refrain. Peaceful and serene, it will play well as title track and background for advertising.

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The glass lake

Somber and ethereal, with a piercing violin, a mellow vibraphone, and a classical piano that dialogue in a very physical and earthy performance in the vein of mid 1800s classical sonatas. Structured in 4 parts, the violin acts as a connector between all the sections and bridges firstly the vibraphone and then the piano, before returning solo for the coda. High quality execution that will fit dramas with a sense of sadness and longing with a seethed edge.

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Windswept

Emotional and delicate, a pianoforte performance that makes sapient use of harmonics and arpeggio technique to deliver a poignant yet firm episode of music. It builds a substantial amount of emotional content without never being too blatant or showy. This would suit romantic dramas and similar applications, possibly where a solo character is involved.

      Windswept-JPM

Soaring Dreams

Delicate yet jumpy and surprising, with a structure that spans through 4 different musical ideas and arrangements throughout the piece. A classical and poignant orchestral start followed by a paced, urged second section. After that, a solid rhythmical element enters the scene and takes the piece at its maximum level of complexity. The last part is left to a somber and saturnine piano with the help of rarefied woodwinds inserts. Overarching all these shifts, a feeling of melancholy and yearning, a flower full of hope.

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