Groovin

Summery electronic synth track. Wonky pitch shifting synth intro, upbeat drums kick in, bright, breezy, summery synths and warm sustained synths, underpinned by 90s hip hop beats. Vocal sample to finish. Happy, hopeful and optimistic, perfect for a an advert/TV/Doc requiring summer vibes and a fuzzy retro sound.

      Groovin-JPM

I’m Mystified

Smooth lounge jazz number. Piano chords, double bass patter and soft drums begin, joined by wistful saxophone melody. Piano takes a dynamic solo accompanied by drums and more busy double bass. Back to emotional sax melody. Nostalgic, warm and fuzzy, yet cool and laid back, perfect for a romantic old-school TV/Film sequence, Casablanca-style star-crossed lovers staring sadly into their stylish cocktails, intoxicated by love.

Bed track has No Saxophone.

      Im_Mystified-JPM
      Im_Mystified_Bed-JPM

Sandy-Haired Girl

Jaunty country-folk acoustic guitar instrumental. Light-hearted acoustic guitar repeated phrases, melodic acoustic guitar, moments of tension and relief. Upbeat, gentle and pastoral, would suit a Film/TV scene in a rural setting, gentle Americana to suit an innocent ideal of rural life where the greatest threat is a fox among the chickens.

      Sandy_Haired_Girl-JPM

Blackheart Blues, A Sea Shanty

Thoughtful acoustic guitar instrumental. Quiet acoustic guitar intro, freeform strummed section, back to original motif, building in intensity and volume. Pensive, nostalgic at first, becomes more emotional and forceful, would suit a contemplative documentary scene, stirring from thoughtfulness into action.

      Blackheart_Blues_A_Sea_Shanty-JPM

Murmuration

Jazz instrumental. Electric guitar phrase repeated, marimba enter with a contrasting motif, dynamic drums and breezy brass on top. Short break before a funky bass, marimba, keyboard and sax solo section. 70s wocka wocka electric guitar with polyphonic rhythms. Psychedelic keyboards continue the 70s vibe with jazz brass. Gentle, bubbling guitar and keys section, drums join and brass re-enters. Ends on a blast of brass. Fun, sophisticated and positive, would suit a documentary, film trailer or some other journey on film, effortlessly moving across borders, styles and genres.

      Murmuration-JPM

Easy Way

Country-jazz instrumental. Dynamic walking double bass, quickly strummed acoustic guitar, classic jazz drums, frenetic saxophone soloing. Horn is introduced, duelling brass solos. Fun, positive and warm, ramshackle jazz straight out of a 1920s speakeasy, would suit a retro Film/TV scene, a lush jazz-age garden party, or an advert for a laid-back but jazzy product.

Bed version features No Brass.

      Easy_Way-JPM
      Easy_Way_Bed-JPM

African Rhythm Layers

Wonderfully percussive and relaxed, bit like a version of Nick Drake, near a river, on a Kora, building into something more positive and hopeful as it progresses. Wild but gentle, short but sweet.

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Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

      Postcard_For_Dominie-JPM

Haunted Music Box

Haunting simple and cinematic, with music box, angelic vocals, piano and orchestral strings, including a searching solo violin. If you are looking for a magical and macabre setting for something you’ve hit gold. This will suit pretty much anything from fantasy adverts to Brother’s Grimm fairy tales. You can almost hear someone narrating over the top. Brilliant.

      Haunted_Music_Box-JPM

Focus (Dharana)

A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.

      Focus_Dharana-JPM