Simple wistful piano piece with subtle orchestral strings, nodding to “Somewhere Out There” in Disney’s “An American Tail”, but usable in many poignant moments. I can imagine this in a campaign video asking people to help donate to a charity, or a sad but hopeful scene in a wholesome family series.
Innocent piano-led orchestral string track. Bright, hopeful piano intro, playful pizzicato strings enter, joined by cheeky, cheerful percussion. Orchestral strings become more prominent, sweet glockenspiel melody, hand clap-style percussion, jaunty piano outro. Fun, innocent and dynamic. Bright-eyed and bushy-tailed, feels like the arrival of Springtime. Perfect for a delightfully pleasant advert for a jolly family product or as background music on a feel-good tv documentary about the flora and fauna of the English countryside, or communities coming together in harmony.
Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.
Atmospheric string and piano build. Ephemeral strings, echoing beat intro, gentle piano notes, strings drone building anticipation. Piano chords then opens up with sustained strings, drums, guitar and tambourine. A quiet section, the best remains then drops out, just piano and light strings to finish. Determined, ambitious, striving and positive, would suit an advert for a powerful, reliable car, or a success against the odds on TV/Film.
No Drums version available.
1 min and 30 sec ad length versions available.
Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.
Sincere and relaxed, with piano, glockenspiel, and vocals that make for an acoustic pop song. It follows a common structure stanza/chorus/stanza/chorus, alternating vocals with glockenspiel to sustain the refrain. Peaceful and serene, it will play well as title track and background for advertising.
Somber and ethereal, with a piercing violin, a mellow vibraphone, and a classical piano that dialogue in a very physical and earthy performance in the vein of mid 1800s classical sonatas. Structured in 4 parts, the violin acts as a connector between all the sections and bridges firstly the vibraphone and then the piano, before returning solo for the coda. High quality execution that will fit dramas with a sense of sadness and longing with a seethed edge.
Emotional and delicate, a pianoforte performance that makes sapient use of harmonics and arpeggio technique to deliver a poignant yet firm episode of music. It builds a substantial amount of emotional content without never being too blatant or showy. This would suit romantic dramas and similar applications, possibly where a solo character is involved.
Delicate yet jumpy and surprising, with a structure that spans through 4 different musical ideas and arrangements throughout the piece. A classical and poignant orchestral start followed by a paced, urged second section. After that, a solid rhythmical element enters the scene and takes the piece at its maximum level of complexity. The last part is left to a somber and saturnine piano with the help of rarefied woodwinds inserts. Overarching all these shifts, a feeling of melancholy and yearning, a flower full of hope.
Delicate and touching, with a gentle piano performance and an acoustic guitar that make for a tender impression in the vein of melancholic comedies but also period dramas. An acoustic guitar introduces us to the theme in the first 20 seconds, creating the space in the middle part for a grand piano to complement the scene. Towards the end of the piece the latter is protagonist and uses both hands to fulfil the arrangement.