Blackheart Blues, A Sea Shanty

Thoughtful acoustic guitar instrumental. Quiet acoustic guitar intro, freeform strummed section, back to original motif, building in intensity and volume. Pensive, nostalgic at first, becomes more emotional and forceful, would suit a contemplative documentary scene, stirring from thoughtfulness into action.

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The Real Business

Solo jazz piano. Slow-paced, measured jazz piano chords, starts gently, growing in intensity throughout with clashing and resolving chords ebbing and flowing, like inner turmoil. Romantic, thoughtful, wretched in equal measure, perfect for a quiet, pensive film moment, our troubled character unable to decide a course of action in love.

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African Rhythm Layers

Wonderfully percussive and relaxed, bit like a version of Nick Drake, near a river, on a Kora, building into something more positive and hopeful as it progresses. Wild but gentle, short but sweet.

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Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

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The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before Amélie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Byron

African jazz-style instrumental. Dynamic drum intro, bold brass enters in unison, African-style jazz guitar, Étiopiques-style keys and lively marimba before a siren-like chiming, dissonant brass build, over increasingly frenetic marimba. Returns to jazz groove with a sax solo on top and a repeated melodic motif underneath on keys. Full band to the end. Joyful and excited, reckless and strange at times, would suit an upbeat summer advert, or as evocative mood music for a travel documentary.

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Haunted Music Box

Haunting simple and cinematic, with music box, angelic vocals, piano and orchestral strings, including a searching solo violin. If you are looking for a magical and macabre setting for something you’ve hit gold. This will suit pretty much anything from fantasy adverts to Brother’s Grimm fairy tales. You can almost hear someone narrating over the top. Brilliant.

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Angel

Searching and feel-good. Soft Folk melodic tones are joined by guitar, piano, angelic vocals and rhythm that reminds me of “Close to me” by The Cure, except this is pure, wholesome and moving. Definitely moving, you feel yourself either running or flying across landscapes. Fiercely positively driving, that’s the way to describe it I reckon. For ads and campaigns, with the message that we’re getting somewhere, it’s all going to be alright.

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October

Folk roots, with vox, piano and guitar, building with anticipatory percussion (hi-hat and tambourine), breaking from a walk into an effortless run. Vocals pushing the fantasy but never in a way that leaves reality. For ads and campaigns, with the message that something magical, wonderful is happening and you’re all invited.

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Focus (Dharana)

A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.

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