Jonquils

Sweet simple piano and bells, joined by light string section. At 0:30 mins in there is a more pensive section, a feeling of hesitation, “will everything be ok?” but then we are warmly reassured from 1:05 mins in, with instrumentation that builds to a strong and triumphant end. Perfect music for, I don’t know, a feel good video about adopting a puppy? I see puppies. Damn those Andrex adverts.

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Tell Me Now Darlin’

Country violin instrumental with piano. Violin, oom-pah bass and drums and tinkling piano to start. Slide guitar introduced for a solo. Wistful violin returns. Sentimental, warm and wholly nostalgic, harking back to a bygone time, would suit an advert that’s keepin’ it country, or a TV/Film moment of cheesy reverie.

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Silver Moon

Violin-led country-folk instrumental. Folky violin melody with occasional harmonies soars over wistful slide guitar, gentle electric guitar, double bass and steady drums. Warm, fuzzy and sentimental, perfect for a slightly cheesy, Waltons-style, wholesome American TV show or nostalgic advert.

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Medley: The Drink, The Sound, The Sea Elephas

Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.

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Two

Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.

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Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

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Oubliette (Suite)

Gentle pensive piano track. Slow repeated piano motif, extra piano line added and subtly building orchestral strings. Thoughtful and reflective, sad yet hopeful, would suit an advert for insurance or healthcare, hope of a bright future in the face of today’s sadness and loss.

Piano Only version available.

1 min and 30 secs ad length versions available.

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That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Visiting Laila

Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.

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