Country-jazz instrumental. Dynamic walking double bass, quickly strummed acoustic guitar, classic jazz drums, frenetic saxophone soloing. Horn is introduced, duelling brass solos. Fun, positive and warm, ramshackle jazz straight out of a 1920s speakeasy, would suit a retro Film/TV scene, a lush jazz-age garden party, or an advert for a laid-back but jazzy product.
Bed version features No Brass.
Slinky jazzy harpsichord track. Walking jazz double bass, dynamic hand drums, two intersecting lines of snaking jazz harpsichord melodies. Mysterious, intriguing and playful, suitable for a short advert for a cheeky product, offering you a handy shortcut to making an impressive meal, or a Pink Panther-style mystery on TV/Film.
‘Underscore’ version features bass and drums only.
Sample-heavy 90s influenced hip hop track. Synth electric guitar plays a tense riff over various samples, including hand claps, vinyl scratches, radio static, organ, hand drums, tambourine and flute, and dark hip hop beats. Tense and slightly sinister but cool and collected,with a hint of dangerous fun, perfect for an atmospheric, streetwise advert or TV/Film sequence set in a dangerous neighbourhood where anything can happen.
Piano-led orchestral/beat mash-up. Jazz drum intro, choppy jazz piano motif, driving drums. Orchestral strings join, smoothing out the disjointed piano, followed by edgy trap beats. Strings soar over the beats and grown-up piano. Abrupt ending. Jittery and excited at first, maturing throughout to a confident, epic piece. Would suit an advert for a transformative product, or a tv show interlude. A before and after from likeable and clumsy to impressive, mysterious, measured and powerful.
Wonderfully percussive and relaxed, bit like a version of Nick Drake, near a river, on a Kora, building into something more positive and hopeful as it progresses. Wild but gentle, short but sweet.
Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.
Wistful solo piano. Dramatic, comedic chordal piano descent before Amélie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.
African jazz-style instrumental. Dynamic drum intro, bold brass enters in unison, African-style jazz guitar, Étiopiques-style keys and lively marimba before a siren-like chiming, dissonant brass build, over increasingly frenetic marimba. Returns to jazz groove with a sax solo on top and a repeated melodic motif underneath on keys. Full band to the end. Joyful and excited, reckless and strange at times, would suit an upbeat summer advert, or as evocative mood music for a travel documentary.
Haunting simple and cinematic, with music box, angelic vocals, piano and orchestral strings, including a searching solo violin. If you are looking for a magical and macabre setting for something you’ve hit gold. This will suit pretty much anything from fantasy adverts to Brother’s Grimm fairy tales. You can almost hear someone narrating over the top. Brilliant.
Searching and feel-good. Soft Folk melodic tones are joined by guitar, piano, angelic vocals and rhythm that reminds me of “Close to me” by The Cure, except this is pure, wholesome and moving. Definitely moving, you feel yourself either running or flying across landscapes. Fiercely positively driving, that’s the way to describe it I reckon. For ads and campaigns, with the message that we’re getting somewhere, it’s all going to be alright.