Blog Archives

New Elevator

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Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.

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Sure Thing

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Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.

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This Is the Moment

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Energetic and playful, with a modern pop-rock arrangement driven by a combo of acoustic/electric guitars and a four-on-the-floor kick drum that make for a fun and dynamic episode of music. Great for a variety of settings, including teen comedies scores, corporate videos and TV shows. Available with and without vocals.

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Heart Motion

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Summery electronic track. Fat, warm, wobbly synth chords introduce a cute helium synth melodic motifs. The chunky beat drop, synth melody is doubled, fuller synths join. Twinkly harp-like break followed by scratchy synth, Skrillex-style D’n’B rhythms and high pitched synths. Modern, futuristic and utopian, positive, saccharine synthpop for fresh youthful adverts or fun Factual/Entertainment TV.

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Heading Up

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Bouncy electronic pop track. Fat summery synths, electronic beats and male vocal sample ‘Hey’s set the upbeat tone. Vinyl-scratching samples, more bouncy synths and hip hop beats create a fun but edgy summery vibe. Determined, cool and a bit flashy, a slight cheesy Calvin Harris synth feel, perfect for brash adverts or Hollyoaks-style TV interludes.

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Binary Girl

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Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.

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Drive

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Magical and groovy, with a sensual moog arpeggio and a mellow drum machine groove that make for a cool and energetic feeling nested on a mid-tempo rhythm. Like a passing cloud on early nineties pop-electronic skies. French electronica taste here. Will suit short form advertising and high-tech product videos.

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Digitalle

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Dynamic with a celebratory edge, featuring a compelling and solid arpeggiated synth and a four-on-the-floor dance rhythm that create a soft and magical episode of electronic music. Vintage remainders of old synth, pads, and quirky sound effects. Like a night-time time lapse of a future city filtered by a child’s mind.

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Doh Doh Doh

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Jolly and lively, with quirky vocals and strummed acoustic guitars that create a fun and light 30 seconds episode of music. Ideal for light advertising, animations but also fun comedies and TV shows.

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Dress Me Up

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Catchy and playful, with saturated beats and a mildly aggressive synth that take the listener into a pop dimension but with grittiness and a lot of colour. A bit like Gary Numan ‘Cars’ mixed with a minimal hipster.

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