Slow keyboard instrumental with slight atmospheric effects. In between harpsichord and piano, melancholy, plinky-plonky broken chords moving from dark to light. Quiet, reflective, intimate and thoughtful, perfect ambient background music to an emotional TV/Film scene of repressed desires and dark, emotional secrets.
Acoustic instrumental on cretan lyra and Turkish saz. Medium-paces introductory phrases, building in texture, complexity and speed, with a central melodic idea emerging. Bowed fiddle-like instrument joins with an earthy modal melodic passage, along with light, sparse percussion. Dynamic, mysterious and hypnotic, a cyclical effect of returning to the beginning, suitable for video work focused on the Middle East or Mediterranean, or a film/drama wanting an authentic, raw acoustic sound or an Arabic feel.
Laid back synth track with trap beat. Snappy beats and sparkling percussive effects under a repetitive Japanese-influenced riff and calming swathes of soothing synth, ending of a puff of glitter. Perfect synth sounds for a glamorous summer advert, chilled, colourful and effervescent, like Negronis on a rooftop.
Macho guitar and synth track. Chiming, fast-paced piano chords with muted percussion underpin the intro with a brash electric guitar melody joining above. Bass guitar introduces a fuller section with solid drums and more guitar. Harpsichord-like synth break imitates the piano chords, all instruments rejoin. Determined, driven and serious, the perfect no-nonsense track for an investigative documentary or neutral commercial.
Uplifting guitar track. Guitar intro builds anticipation with repetitive, effects-laden guitar riffs. Strummed acoustic guitar chords and gentle percussion create an insistent bed, laid back electric guitar rings out on top. Hopeful, peaceful and quietly positive, guitar parts like U2’s more gently euphoric build-ups. Perfect for emotional TV drama or film scenes, when passionate feelings can no longer be denied.
Piano and orchestral string build. Orchestral strings undulate under soaring strings building to a powerful percussive section with vocal-like electronic samples and continuing epic strings. Quiet section with vocals then percussion rejoins building anticipation and tension to a multi-layered textural soundscape. Contrasting soft piano section to finish. Strange, dark and intriguing, pagan sounds reminiscent of singular Scandinavian pop like the Knife. Perfect for an onscreen threat or a bold, epic and uncanny film or TV scene.
Driving alternative rock instrumental. Subtle electronic swoosh before simple strummed electric guitar riff. Effects and light keys added. Extra electric guitar line joins before the full alt rock chorus blast, uplifting and euphoric. Chilled verse with chiming anticipatory guitar before full chorus returns. Rocking mid section with punchy guitars and 60s keys. Chiming guitar duet takes things down a notch before the driving chorus. Single guitar outro. Brash, bold and excited, 90s alt rock throwback, perfect as upbeat TV background music or for a slick, rocking advert.
Cute, euphoric EDM. Fat synth chords, laser beats, accelerating bouncy sound effects and a 5-4-3-2-1 countdown build anticipation before the drop into colourful, brain-candy EDM. Calvin Harris meets PC music, fat 80s synths and banging beats mixed with cutesy sound effects and saccharine synth happiness. Positive, summery and fun-filled, perfect for a summer advert, with young, cool people raving on a roof, or for feel-good Reality TV.
Moody synth instrumental. Seductive beats and atmospheric sustained synths with 90s Morcheeba-style synth melody introduces a air-punching 80s Madonna-esque synth chorus. Tense, driving and intriguing, perfect for onscreen anticipation, or a smooth, sexy and slightly cheesy action film.
Percussive hangdrum-led track. Melodic hangdrum and driving percussion lead an atmospheric instrumental. More melodic handpan section before the close. Anticipatory, excited and shrouded in mystery, perfect for nature or travel docs, imagine catching glimpses of lush foliage from train speeding high on a mountain track.
Interlude is more sparse, without the driving rhythms at first, building momentum and rhythmic intensity toward the end of the track.