Dissonant and cloudy, a crying lament of strings that successfully combines early classical 1900s influences with modern day film scoring. It has four definite sections that alternate relaxation with excitement. It will suit period dramas with complex characterisations but also possibly otherworldly and supernatural settings. Atonement. Downton Abbey if it had more balls.
Hugely passionate, an intense dialogue of strings intertwined beautifully to create a beautiful, varied and dynamic piece. A stream of playfulness and longing, with determined and delicate sections. This feels like an emotionally charged dance, a passionate love-making session, a frenetic game, a storm ravaging the sea. Not This Day takes us through many different states, and eventually rests with a triumphant positive end.
Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Bouncy and playful, with a compelling dialogue between strings and brass instruments that create a feeling of discovery for somewhat young adventurers. Dangerous edge but overall positive and playful, Goonies-alike with an added feeling of grandioseness given by a strong orchestral arrangement.
Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.
Catchy and uplifting, with a folk acoustic guitar and a warm male choirs that create an interesting and compelling episode of indie acoustic folk. The second part develops into a fully arranged piece with increased complexity. Several applications, from emotional and in your face commercials to soundtracks for dramas and bittersweet comedies
Airy and positive, with effective piano chords and a pop-rock arrangement that complement the scene from 1:00 onwards. Claps and pizzicato strings add lightness and fun at minute 1:30. We are decisively in the corporate/showcase videos domain, although this is done with a warm and classy touch that will suit high level products, definitely inspirational without being too disruptive.
Casual and light, a playful tune that happily marries orchestral patterns with modern rhythmical drum interjections. Strings, glockenspiel and brass dialogue together without engulfing the scene too much. Like being in a wet and muddy forest with a magnifying glass, observing quirky animals and such hopping around and tentatively catching up with their instincts. Simple and nice theme that is repeated throughout the tune in an ABAB fashion.
Emotional and tender, with an all in open-pedal piano and a light orchestral arrangement that make for a classic inspirational tune. With a grandiose feeling and a straight rhythmical pattern that gradually takes over until the end, it will suit classy short form advertising that musically needs to match a gradual grow in intensity without being too blatant.