The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before AmĂ©lie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Byron

African jazz-style instrumental. Dynamic drum intro, bold brass enters in unison, African-style jazz guitar, Étiopiques-style keys and lively marimba before a siren-like chiming, dissonant brass build, over increasingly frenetic marimba. Returns to jazz groove with a sax solo on top and a repeated melodic motif underneath on keys. Full band to the end. Joyful and excited, reckless and strange at times, would suit an upbeat summer advert, or as evocative mood music for a travel documentary.

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Manifest

Solo jazz piano track. Dramatic sparse piano chords, with quieter, sweeter interludes. A dissonant chord break with moments of consonance and hope, before a melodic slightly lounge-jazz section. Another chord break, returns to sparse, lovelorn chord clashes. Another moment of sweet reverie before the final despairing dramatic chords. Romantic, melancholy, thoughtful, would suit a reflective arthouse Film/TV scene, a lonely walk, conflicted, thinking of the other, or sitting at the bar, alone and dishevelled.

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Sapphire

Solo jazz piano. Romantic intro of blissful exotic jazz chords, full melody of chordal 4ths calls to mind Erik Satie or Japanese-inspired classical composition a lĂ  Madame Butterfly. Delicate waltz section, playing around with the same Eastern-inspired chords. Hopeful, loving, content, would suit a romantic Film/TV scene where a smitten character floats on a wave of love. Would also suit a soothing, peaceful advert for a beautiful object or luxurious service.

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Farewell Lionhead

Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ  Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.

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Captain Marzipan

Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.

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The Real Business

Two part brass instrumental. Unsteady jazz piano and erratic saxophone notes begin before settling into a mellow, lyrical piano and sax melody with warm string swells. Slightly off-kilter tuning counteracts the sweetness of the melody, giving it a quirky edge. Dreamlike, nostalgic and strange, would suit a reflective documentary moment or a sentimental but not sickly-sweet Film/TV sequence.

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If You Were Mine

Jazz piano solo. Relaxed jazz chords, sparse and measured. A tense repeated phrase leads to a pensive, sombre melody with hints of hope from high piano notes. A meandering improv-like melody deviates from the original chords progression before a quiet, content ending. Thoughtful, intense and reflective, a moody piano number perfect for a the heightened tension of a romantic love scene. Two star-crossed lovers on separate paths through rain soaked streets. One in Paris, the city of lights, the other in Woody Allen’s New York…will their paths ever meet again?

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Longmu

Chilled instrumental jazz track. Shuffling drums, downbeat piano chords, thoughtful piano melody with a jazz tonality. Brass enters, repeated a piano phrase. Melody repeated on piano, joined by Rhodes piano, double bass, punctuated by brass notes. Dreamy section, woozy brass, lightly strummed electric guitar, delicate piano motifs, chilled drums with Ethiopian jazz influences and bright chords. All join on relaxed version of original melody. Relaxed, warm and a little bit mysterious, perfect background music for a curious documentary or for a laid back yet reflective Film/TV scene.

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Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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