It’s Just What I Think

Nostalgic soundtrack to kids playtime. Naive intro on warm, retro keys. Joined by sound effects, tinkling cans and crunching paper. Vocal ‘Ooohs’ enter with uplifting drums, interrupted by spoken word samples. A steady drum beat, keys and percussive tin can groove settles in, sounding like a microscopic recording of ants in work in the backyard. A new synth-led section brings fantasy, twinkling lights and gurgling sound effects, before a return to the melody with added percussive effects. Innocent, hopeful and nostalgic, suitable for a heartwarming advert looking at families, kids and the joys of childhood.

Instrumental and vocal versions available

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Light Wind

Naive hyperpop. Catchy synth melody over sweet synths and a serious beat build. Beat drops, wobbly synths, whooshing samples and warm, enveloping, pretty chords. Another build, squeaky synths and a beat break. Happy, sincere, cute and sparkly, like the bonkers kawaii of PC Music, or computer game music, perfect for Reality TV montages/interludes, or adverts for young and fun summer festivals, or rainbow computer game fantasy worlds.

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Future Dreams

Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.

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Evolving

Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.

No Lead version is lighter, more open. Perfect commercial TV soundtrack.

No Drums and No Bass versions available.

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HEY

Bluesy rock ‘n’ roll track. Brazen electric guitar riff and wailing guitar feedback, joined by punchy drums and a funky bass line. A new guitar melody followed by a new section, more electronic, glitchy and sample-heavy, moving into espionage movie territory. Brash, urgent and confident, like Red Hot Chilli Peppers soundtracking a Jason Bourne film, perfect chase music, either by car or on foot, through unfamiliar urban streets, or across continents.

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Sneak Peek (Suite)

Light electronic track. Tranquil atmospheric electronics, bleepy sounds, vocal samples and warm synth mix with a mellow throbbing beat and upbeat percussion. Delicate electronic break, gentle swooshes and muted beats. Drums kick in, build anticipation over the gentle bed track. A snare drum section followed by an understated yet triumphant chordal synth build. Joyous, anticipatory and considered, elation but in a classy way, sounds like a more upbeat Beach House or Au Revoir Simone, low key but playful, perfect as background music for a positive, thought-provoking charity video, or for slightly suspenseful reality TV montages.

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Cafe Incident

Tense orchestral string track. Choppy violins enter with erratic melodic phrases over a foreboding sustained double bass note. Extra layers of strings interrupt each other creating a chaotic ambiance. Screeching violin samples then flurry over drums and a strong, driving, repeated melodic idea, coming to a dramatic finish. Nerve-wracking, threatening and doom-laden, a worrying barrage of string suspense, suited to an action movie scene or advert evoking this sense of exhilarating fear.

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Phantom Pariah

Spooky atmospheric electronics. Dark soundscape, ambient noise like a distant vehicle, A flurry of electronics and threatening horn-like sustained blasts come and go like scurrying creatures. Alien-like samples build the tension further. Frightening, horrifying and chilling, the sound of an invasion of planet earth by intergalactic rat aliens, for troubling Docs and comedically freaky TV.

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Sure Thing

Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.

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Bleeps

Electronic instrumental with samples. Gradual build. First, a beat and electronic sound effects, hi hat drums added, other electronics join. Full melody join, the beats settle into a steady groove. New section introduces laser synths and whooshing electronics before the beat re-emerges with simple repetitive synth, a powerful, purposeful strut. Intriguing, playful and mysterious, like the quirky electronics of Moderat. Suitable for a European advert, maybe for a car that can navigate tiny Italian streets. Could also accompany a determined character on TV/Film.

Ad length versions available.

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