Death Is a She Named Barsheen

Groovy and suspenseful, with alluring mystical vocals and a dark progressive synth-led rhythmical pattern that evoke exotic worlds caged in a first period Massive Attack-like tune. Structured in three parts, it builds up to 1:30 and then delivers a minute of aggressiveness led by a gritty electric guitar. Wonderful as background and title sequences for futuristic, dystopian and ancient/exotic settings.

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Game Tension

Hypnotic and dark, with a dissonant edge given by atmospheric strings pads and a drony bass synth with percussion. There’s a simple harmony and a sense of anticipation built with a delicate yet firm manner. It will serve very well as background music for video games, and TV shows with a futuristic flavour.

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Where’s the Justice

Light and smooth, with solid acoustic guitars and honest vocals that make for a warm pop-rock episode with a folk edge. Variation to the main theme at 1:40 seconds. Ideal for light advertising, end title sequences and modern dramas.

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Kafka Was Here

Catchy and playful, with Jazz elements such as alto sax, piano, contrabass and drums to deliver a smooth and swing feel. It follows an A-A-B-A structure and features solos by sax, piano and bass. Great for scoring comedies, adverts and as background music.

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As Lovers Do

Crisp and smooth, with a marked jazzy brass influence but also Latin remainders and juicy funky guitars. Soft and romantic with an exotic edge, this is pure gold for the lovers of smooth jazz, with top notch solo performances and great taste in the arrangment.

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Buenas

Delicate and bright, with a wonderful smooth jazz feeling, mingled with fresh samba rhythms and a funky attitude. Strongly rhythmical yet perfect for chill out settings, it features great sax and keyboard solos.

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The Carousel of Memories

Hypnotic and delicate, featuring a sinister melody played by an accordion and spooky sounds melted with a glockenspiel toward the last section. Ideal for teen thrillers, scary and disturbing scenes, psychological and mysterious sequences.

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Distant Lands

Contemplative and poignant, featuring an ethereal yet moving piano solo figure complemented in the last section by a mellow strings section. Ideal for emotional advertising, romantic movie scenes, and end title sequences.

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Omnipresent

Delicate and hypnotic, featuring mellow synth pads and a modern drum machine rhythm intertwined with a solid bass guitar line. Ideal for light advertising, reflective and optimistic scenes. Alternative version with vocals great for end title sequences.

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Unknown Danger

Mechanical and hypnotic, with a dark bass synth and atmospheric swarms of orchestral strings. Dramatic by definition, it delivers pace and rhythm, all coupled with a highly charged emotional content.

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