Catchy and playful, with saturated beats and a mildly aggressive synth that take the listener into a pop dimension but with grittiness and a lot of colour. A bit like Gary Numan ‘Cars’Â mixed with a minimal hipster.
Dark and groovy, with a low-key drum machine beat and gritty inserts of synth and classical instruments that make for a mysterious and hypnotic ambient setting. Minimal and foreboding but not without a sense of humour, good for introspective and quirky scenes. We’re definitely waiting for something to happen.
Really beautiful, delicate and nostalgic, featuring aching solo strings and an emotionally compelling piano that creates heartache, anticipation and finally peace. Would suit emotional scenes or moments of reflection. “Emily knew, as she walked through the house for the last time, that for now at least, she was free to love again”.
Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.
“I know, I’ll call this track “Happy Song”. Imaginative. But it gets straight to the point. And yes it IS relaxed and cheerful, with nice and easy acoustic guitars and a predictable pop-rock arrangement. Hey man, it’s not all bad, in fact it’s aaaaall good. Come and have a beer with me and my family. That is the power of Happy Song. Will fit corporate videos, product showcases, and scenes where a light positive music commentary is needed.
Dark, highly atmospheric and gently driving and urgent. Brushed strings, soft beats and droning bass synths create a powerful ambient atmosphere. Constantly moving and pushing through in a place of darkness, the tension gradually starts resolving to an uneasy sense of hope.
Celebratory and epic orchestral score, with lush and powerful arrangement. Bold brass, balzato strings and engaging harp strums. A marked sense of discovery and grandioseness, with echoes of ancient battles and conquests. Perfect for celebration scenes and big epic sequences.
Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.
Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.
Melancholic and intimate, featuring a dreamy figure of glockenspiel notes and a light arrangement driven by a piano and a small orchestra. A flute takes over the theme at 1:40 and presents us to a final section slightly more rhythmical with pizzicato strings and playful woodwinds. Great for scenes with a nostalgic and tender yet hopeful feeling.