TRIMNYO

A dance track mixing African- and Caribbean-influenced urban British styles. Dancehall-like drums & vocal samples give way to silvery synths and MC-style vocals, growing in rhythmic intensity with snare, synth and vocal samples. A heavily processed female helium vocal sample is introduced over trance-style synth and erratic beats, heavy synths intensifying until an abrupt ending. Dancey, urban, dark and complex. Walking through the city late at night, neon signs glowing, street lights, dodgy characters all around but our protagonist owns the streets.

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Electric Rain

Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.

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Drive

Magical and groovy, with a sensual moog arpeggio and a mellow drum machine groove that make for a cool and energetic feeling nested on a mid-tempo rhythm. Like a passing cloud on early nineties pop-electronic skies. French electronica taste here. Will suit short form advertising and high-tech product videos.

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Digitalle

Dynamic with a celebratory edge, featuring a compelling and solid arpeggiated synth and a four-on-the-floor dance rhythm that create a soft and magical episode of electronic music. Vintage remainders of old synth, pads, and quirky sound effects. Like a night-time time lapse of a future city filtered by a child’s mind.

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Sunrise in an Alien Zoo

Mysterious, epic and progressive, a slow chordal progression with bassey undertones to an electronic pulse, to 3:44 where more distinct melodic elements appear. A quiet breakdown at around 6:00, before a definitive lead electronic riff appears at 6:30 to build in complexity to a relaxed electronic climax. Basically you probably would listen to this if you took some psychedelics, or at least listening to this will make you feel like you are on some sort of psychedelics. Imagine the soundtrack to a robotic world fizzing with colour and happiness, with no humans. Ahhh what a lovely thought.

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Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

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      Fear-JPM

Alone

Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)

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      Alone-JPM

Uncoupled

Round bouncy synth in an arpeggiated monotone start, joined by organ and cheerful high synth. Building lightly with tiny cymbal strikes, then breaks down into a small organ section. Final section builds to a full beat but still has that gentle laid back feeling to it. Warm, gentle and reassuring.

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Stronger

Filtered arpeggiated synth bass builds to a clear beat with piano. Joined by epic strings. Serious showcase, sounds like achieving something against the odds. Ad length.

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Making Your Point

Medium-fast synthpop with vocal ahhs and oohs. Strong beats and violently happy, makes you want to run free and fast. Young, fiercely proud, pulse quickening and driven. Reminiscent of MGMT’s “Kids” but harder and faster.

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