Run Away With Me

Smooth jazz club track. Warm piano chords, walking double bass, light drums with a smooth saxophone improvising melody on top. Chilled, positive and slightly cheesy, perfect classic jazz for a reassuring, family advert.

Bed track has more prominent piano. No saxophone.

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      Run_Away_with_Me_Bed-JPM

Samba Street Party

Upbeat percussion track. Drums rolls intro on hand drums. All out African polyrhythms on various drums. Uplifting, celebratory and uptempo, perfect for gripping sports coverage or adverts channelling South American Carnival vibes.

Ad lengths available.

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Geeks Groove

Mysterious electronic synth track. Repetitive synth intro, bouncy and arpeggiated, with spooky synth whooshes. New section of spookier synth riff, twinkling percussive bells and strings straight out of an old James Bond film, building anticipation. Sustained synth section with shuffling percussion becomes a dynamic, rhythmic synth section. Like Santigold but weird and wonky, topsy-turvy. Plodding yet classy, a real mystery. Intriguing and beguiling, would suit a provocative advert, a flashy product, sexy and stylish but a hint of danger.

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Future Dreams

Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.

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Evolving

Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.

No Lead version is lighter, more open. Perfect commercial TV soundtrack.

No Drums and No Bass versions available.

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Unconditional

Tense orchestral build. Repeated choppy orchestral string motif builds, electronic hints added and orchestral elements provide base. Melancholy violin melody emerges interspersed with military-style drums fills. Layers of lush strings join with subtle horns, building a dense orchestral soundscape with incongruous electronics bubbling beneath. Emotional, reflective and suspenseful, a worrying track to suit a film scene where man is recklessly destroying nature, a daring, dangerous feat is being attempted, or unrest of the mind threatens to overwhelm the protagonist.

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Clear Water

Atmospheric electronic track. Drum machine beats joined by chordal intro on synth. Arpeggiated synth plays a repetitive melody. Warm sustained synths underpin the bright, clear, undulating melody, fresh like rainwater. Extra texture with added beats and ambient synth. Intriguing, optimistic and cool, soothing synths bringing to mind water droplets on new saplings, cool rocks and epic green/blue vistas. Sounding a bit like Santigold, perfect for stylish eco-advertising, a flashy electric car driving through a crisp mountain road, or travel Documentaries.

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Breeze

Atmospheric electronic track. Japanese-sounding chiming percussion, textural water sounds, shakers, rattling beats and melodic beats growing in intensity. A definitive gong and a trail of dripping water to finish. Evoking the natural world, as well as ancient Eastern wisdom, ethereal, thoughtful and intense, like a more urgent version of the Lost in Translation soundtrack, or the original music for American Beauty, curious and evocative, suitable for intriguing adverts, soul-searching TV/Film or nature documentaries.

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HEY

Bluesy rock ‘n’ roll track. Brazen electric guitar riff and wailing guitar feedback, joined by punchy drums and a funky bass line. A new guitar melody followed by a new section, more electronic, glitchy and sample-heavy, moving into espionage movie territory. Brash, urgent and confident, like Red Hot Chilli Peppers soundtracking a Jason Bourne film, perfect chase music, either by car or on foot, through unfamiliar urban streets, or across continents.

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Friday (Woohoo!)

Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!

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