Bea

Instrumental classical/jazz track. Strings in conversation, playing melodic cycles. Warm, resonant piano enter, joined by marimba flourishes and a deep, soothing strings melody. Jazz piano chords, and the melody repeated in various registers. Marimba solo over sustained strings and a meandering improv section in the last minute. Earthy, romantic and enveloping, a calming jazz number, reminiscent of sprawling Ethiopian jazz rooted by a strong melody, as well as the gentle, rich Gymnopédie melody. Suitable for a very laid back advert or a pastoral Film/TV sequence set under a beaming winter sun.

      Bea-JPM

Susenyos

Instrumental soulful jazz. Theremin effect over woozy brass intro with subtle keyboard chords. Drums and bass guitar enter, brass moves to a more melodic motif. Electric guitar flourishes then electric guitar and vibraphone melody. Change of pace to a more percussive gallop rhythm with horns. Back to bass, floating theremin and lazy brass and a dreamy guitar and brass melody, like bobbing on the ocean. Upbeat, driving rhythmic section on keys, drums and guitar, punchy brass and soulful saxophone build before slowing to a finish. Relaxed, lush, warm and hopeful, would suit a retro Film/TV scene, growing in excitement, tension building, or a romantic moment on screen where tenderness swings to all out love.

Solo Piano version available.

      Susenyos_Full_Band-JPM

Not My Ask

Romantic jazz instrumental. Breathy saxophone melody, softly strummed guitar and gentle piano chords, joined by a selection of strings playing the undulating melodic idea in canon. Saxophone plays out before melting away to sultry breathiness again for the wistful mid-section. Strings wail, clarinet cuts through as the track builds in intensity before a quiet, reduced ending. Beautiful, sensual, intense and thoughtful, like the soulful East African jazz of Étiopiques. Would suit a highly charged, tender, romantic moment on TV/Film, or a reflective advert for something very special.

      Not_My_Ask-JPM

Susenyos (Solo Piano)

Solo jazz piano. Erratic, playful opening chords, a dramatic section exploring the range of the piano and deep, stomping chords before an East African-style jazz solo. Moves to Gymnopédie-like lyrical beauty before a dynamic minimalist section. Alternates fluidly between these varying styles, creating a multi-hued collage of moods. Surprising, playful, dramatic and sophisticated, would suit an old-style silent film or a confusing onscreen tug ‘o’ war of emotions.

Full band version also available.

      Susenyos-JPM

Byron

African jazz-style instrumental. Dynamic drum intro, bold brass enters in unison, African-style jazz guitar, Étiopiques-style keys and lively marimba before a siren-like chiming, dissonant brass build, over increasingly frenetic marimba. Returns to jazz groove with a sax solo on top and a repeated melodic motif underneath on keys. Full band to the end. Joyful and excited, reckless and strange at times, would suit an upbeat summer advert, or as evocative mood music for a travel documentary.

      Byron-JPM

Longmu

Chilled instrumental jazz track. Shuffling drums, downbeat piano chords, thoughtful piano melody with a jazz tonality. Brass enters, repeated a piano phrase. Melody repeated on piano, joined by Rhodes piano, double bass, punctuated by brass notes. Dreamy section, woozy brass, lightly strummed electric guitar, delicate piano motifs, chilled drums with Ethiopian jazz influences and bright chords. All join on relaxed version of original melody. Relaxed, warm and a little bit mysterious, perfect background music for a curious documentary or for a laid back yet reflective Film/TV scene.

      Longmu-JPM

Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

      Pagume-JPM