Solo jazz piano. Romantic intro of blissful exotic jazz chords, full melody of chordal 4ths calls to mind Erik Satie or Japanese-inspired classical composition a lĂ Madame Butterfly. Delicate waltz section, playing around with the same Eastern-inspired chords. Hopeful, loving, content, would suit a romantic Film/TV scene where a smitten character floats on a wave of love. Would also suit a soothing, peaceful advert for a beautiful object or luxurious service.
Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.
Sincere and relaxed, with piano, glockenspiel, and vocals that make for an acoustic pop song. It follows a common structure stanza/chorus/stanza/chorus, alternating vocals with glockenspiel to sustain the refrain. Peaceful and serene, it will play well as title track and background for advertising.
Somber and ethereal, with a piercing violin, a mellow vibraphone, and a classical piano that dialogue in a very physical and earthy performance in the vein of mid 1800s classical sonatas. Structured in 4 parts, the violin acts as a connector between all the sections and bridges firstly the vibraphone and then the piano, before returning solo for the coda. High quality execution that will fit dramas with a sense of sadness and longing with a seethed edge.
Emotional and delicate, a pianoforte performance that makes sapient use of harmonics and arpeggio technique to deliver a poignant yet firm episode of music. It builds a substantial amount of emotional content without never being too blatant or showy. This would suit romantic dramas and similar applications, possibly where a solo character is involved.
Delicate yet jumpy and surprising, with a structure that spans through 4 different musical ideas and arrangements throughout the piece. A classical and poignant orchestral start followed by a paced, urged second section. After that, a solid rhythmical element enters the scene and takes the piece at its maximum level of complexity. The last part is left to a somber and saturnine piano with the help of rarefied woodwinds inserts. Overarching all these shifts, a feeling of melancholy and yearning, a flower full of hope.
Mellow and sincere, 3 minutes piece of tender arpeggiated piano that playfully places itself on the boundaries between melancholy and happiness. It is gentle but firm in its unraveling, suggesting a scene where your character can face its fate without fear of failing or pain. Several applications possible, from emotion driven soundtracks to classy corporate advertising.
Delicate and mild, with piano and strings orchestrated in a classic manner and built to deliver poignancy and introspection at their earnest level. It swells in the middle section both in intensity and intention, to create a sense of hopefulness that contrasts the stark and rarefied beginning. Will suit coming of age stories with frail and delicate yet resolute characters.
Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.
Delicate and light, no frills piano solo theme that falls into romantic and emotional domains. It changes to a mildly more playful accent in the middle sections, but overall keeping an overarching melancholic feeling. Performed with a truthful and honest human touch.