Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.
Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.
Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.
Dreamy and deranged, with an evocative exotic flavour and a bouncy percussive-led rhythm that bring you in a sort of Bollywood b-movie dungeon. Weird and hypnotic, will suit commercials and sequences with an ironic edge.
Casual and light, a playful tune that happily marries orchestral patterns with modern rhythmical drum interjections. Strings, glockenspiel and brass dialogue together without engulfing the scene too much. Like being in a wet and muddy forest with a magnifying glass, observing quirky animals and such hopping around and tentatively catching up with their instincts. Simple and nice theme that is repeated throughout the tune in an ABAB fashion.
Warm and sincere, an ambient episode with traces of tender melancholic elements. Emotional acoustic arpeggios and evocative solos of trumpet and acoustic guitar create a wonderful sense of longing in space and time. As the title suggests, there is indeed a south American edge here, but definitely more in a calm-sunset-on-a-beach sausade way than carnival party time.
Peaceful and bright, with a confident yet tender acoustic guitar and delicate piano inserts that build a relaxing and mellow episode of music. It gains strength and develops harmonically in the last 30 seconds. A bass guitar helps to deliver an effective coda that will suit the end of a cinematic sequence or advertising pieces.
Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.
Bright and positive, with a catchy whistle and a friendly acoustic guitar that deliver a heartwarming and fun episode of music. Will suit relaxing and light 1 minute advertising, animations, and TV comedies.
Groovy and modern, with a confident bass line and a classy electric guitar that mix in-your-face raggae elements with dub and dance rhythms. A-B-A-B structure with “anticipation moments” at 2:00 and 3:30. Resumes a definite funky vibe toward the end using also an interesting wobbly effect.