Casual and light, a playful tune that happily marries orchestral patterns with modern rhythmical drum interjections. Strings, glockenspiel and brass dialogue together without engulfing the scene too much. Like being in a wet and muddy forest with a magnifying glass, observing quirky animals and such hopping around and tentatively catching up with their instincts. Simple and nice theme that is repeated throughout the tune in an ABAB fashion.
Warm and sincere, an ambient episode with traces of tender melancholic elements. Emotional acoustic arpeggios and evocative solos of trumpet and acoustic guitar create a wonderful sense of longing in space and time. As the title suggests, there is indeed a south American edge here, but definitely more in a calm-sunset-on-a-beach sausade way than carnival party time.
Peaceful and bright, with a confident yet tender acoustic guitar and delicate piano inserts that build a relaxing and mellow episode of music. It gains strength and develops harmonically in the last 30 seconds. A bass guitar helps to deliver an effective coda that will suit the end of a cinematic sequence or advertising pieces.
Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.
Bright and positive, with a catchy whistle and a friendly acoustic guitar that deliver a heartwarming and fun episode of music. Will suit relaxing and light 1 minute advertising, animations, and TV comedies.
Groovy and modern, with a confident bass line and a classy electric guitar that mix in-your-face raggae elements with dub and dance rhythms. A-B-A-B structure with “anticipation moments” at 2:00 and 3:30. Resumes a definite funky vibe toward the end using also an interesting wobbly effect.
Jazz piano solo. Relaxed jazz chords, sparse and measured. A tense repeated phrase leads to a pensive, sombre melody with hints of hope from high piano notes. A meandering improv-like melody deviates from the original chords progression before a quiet, content ending. Thoughtful, intense and reflective, a moody piano number perfect for a the heightened tension of a romantic love scene. Two star-crossed lovers on separate paths through rain soaked streets. One in Paris, the city of lights, the other in Woody Allen’s New York…will their paths ever meet again?
Confident, dynamic and well produced reggae, with a strong brass section and a tight arrangement. Elements of dub, imagine a laid back version of “I don’t like cricket”. Will suit beach, club, lounging scenes where you haven’t got a care in the world. Will suit ads, travel videos, anything with an exotic and bold vibe.
Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.
Light and smooth, with solid acoustic guitars and honest vocals that make for a warm pop-rock episode with a folk edge. Variation to the main theme at 1:40 seconds. Ideal for light advertising, end title sequences and modern dramas.