Down These Roads

A strong industrial beat joined by a strident classical strings and mandolin-like synth, introduces a sampled female vocal singing “I’ll drive down these roads”. Massive, triumphant, fanfare, orchestral big beat / in your face hip hop. This has got car advert all over it.

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Focus (Dharana)

A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.

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Wisdom Child

Relaxed and positive, with gentle indian instrumentation including tabla and sitar-like guitar. It doesn’t do much, just holds it’s space with a rich upright bass sound and the introduction of rhodes at 2:45, it would be almost lazy if it wasn’t for the tabla pushing things along with its crisp melodic insistence. The feeling I get with this track is like I’m drifting serenely down a river, and everything is totally ok with the world. Reassuring. Perfect for branded content with themes of travel.

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Sapphire

Solo jazz piano. Romantic intro of blissful exotic jazz chords, full melody of chordal 4ths calls to mind Erik Satie or Japanese-inspired classical composition a lĂ  Madame Butterfly. Delicate waltz section, playing around with the same Eastern-inspired chords. Hopeful, loving, content, would suit a romantic Film/TV scene where a smitten character floats on a wave of love. Would also suit a soothing, peaceful advert for a beautiful object or luxurious service.

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Farewell Lionhead

Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ  Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.

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High Roller Jack

Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.

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60414

Jaunty and sneaky, a nice patchwork of old style rock and roll piano chords, soul inserts, R&B and jazzy samples all caged in an energetic big beat structure. A saxophone comes and goes to complement this quirky and compelling episode of music.

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If You Were Mine

Jazz piano solo. Relaxed jazz chords, sparse and measured. A tense repeated phrase leads to a pensive, sombre melody with hints of hope from high piano notes. A meandering improv-like melody deviates from the original chords progression before a quiet, content ending. Thoughtful, intense and reflective, a moody piano number perfect for a the heightened tension of a romantic love scene. Two star-crossed lovers on separate paths through rain soaked streets. One in Paris, the city of lights, the other in Woody Allen’s New York…will their paths ever meet again?

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West Side at Night

Catchy and groovy, with modern dub beats and a dusty low-fi feeling that take you for a spin in a city full of lights and graffiti. Good for urban settings with a skewed retro look, but also for showcase and promo videos.

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Kafka Was Here

Catchy and playful, with Jazz elements such as alto sax, piano, contrabass and drums to deliver a smooth and swing feel. It follows an A-A-B-A structure and features solos by sax, piano and bass. Great for scoring comedies, adverts and as background music.

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