Ripped Off

A sample-heavy 90s hip hop-inspired track. Starting with a low rumble sound effect, the boom bap beat drops, then brass section samples, orchestral-style string samples, and spacey electronic samples complete the 90s pastiche. Intrigue, glamour and danger are evoked but in a goofy way- hip hop James Bond.

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To Sleep

A dark synth pop track with dreamy male and female vocals. A synth pulse introduces male vocals. A dramatic pause before melodic beats drop with layered vocals. Dreamy, mysterious synth drones add tension. A drum and wonky synth break, the vocal chorus returns. A female vocal break ,then call-and-answer with male vocals, before coming together, echoed by the bass line. Synth drones and blobby beats accompany the female vocals an octave higher and male counter melody. Melancholy, tense and dripping in cool anticipation. Dark romance in the city by night. Driving. Coloured lights streak by. Too cool for love.

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2012 Action

A tense orchestral build. Sustained string sections followed by a quiet moment of pizzicato, before a final dramatic calamitous crescendo. Gripping, intense, scary and nerve-wracking. Things are not looking good for our protagonist in this scene. It’s a matter of life and death.

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I’m Mystified

Smooth lounge jazz number. Piano chords, double bass patter and soft drums begin, joined by wistful saxophone melody. Piano takes a dynamic solo accompanied by drums and more busy double bass. Back to emotional sax melody. Nostalgic, warm and fuzzy, yet cool and laid back, perfect for a romantic old-school TV/Film sequence, Casablanca-style star-crossed lovers staring sadly into their stylish cocktails, intoxicated by love.

Bed track has No Saxophone.

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Easy Way

Country-jazz instrumental. Dynamic walking double bass, quickly strummed acoustic guitar, classic jazz drums, frenetic saxophone soloing. Horn is introduced, duelling brass solos. Fun, positive and warm, ramshackle jazz straight out of a 1920s speakeasy, would suit a retro Film/TV scene, a lush jazz-age garden party, or an advert for a laid-back but jazzy product.

Bed version features No Brass.

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Let Me Grab My Cloak And Dagger

Slinky jazzy harpsichord track. Walking jazz double bass, dynamic hand drums, two intersecting lines of snaking jazz harpsichord melodies. Mysterious, intriguing and playful, suitable for a short advert for a cheeky product, offering you a handy shortcut to making an impressive meal, or a Pink Panther-style mystery on TV/Film.

‘Underscore’ version features bass and drums only.

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The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before AmĂ©lie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Haunted Music Box

Haunting simple and cinematic, with music box, angelic vocals, piano and orchestral strings, including a searching solo violin. If you are looking for a magical and macabre setting for something you’ve hit gold. This will suit pretty much anything from fantasy adverts to Brother’s Grimm fairy tales. You can almost hear someone narrating over the top. Brilliant.

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Down These Roads

A strong industrial beat joined by a strident classical strings and mandolin-like synth, introduces a sampled female vocal singing “I’ll drive down these roads”. Massive, triumphant, fanfare, orchestral big beat / in your face hip hop. This has got car advert all over it.

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Focus (Dharana)

A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.

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