The Art of Being Sneaky

Pink Panther-esque jazz instrumental. Double Bass jazz motif tip-toes across the track, joined by clipped hand drums, Rhodes piano keyboard sound and sound effects. Mysterious, playful and suspenseful, perfect for an onscreen intrigue or a pastiche of retro whodunnits.

13 sec version available.

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Two

Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.

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Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Visiting Laila

Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.

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Daruckatekarte

Begins with quasi-gamelan, becoming a dreamlike, wobbly guitar piece with gentle funk rhythms.

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Dance With a Ball of Emperor Rudolf II

Neo-classical patterns for acoustic instruments. Atonal and jazzy, feeling off kilter, drunk, confused but happy.

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Hump Back Blues

Jaunty acoustic guitar track. Solo blues guitar in finger-picking style, breezy and cheerful. Hints of jazz and improv in the mid-section. Slower, more expressive section to finish. Nostalgic, thoughtful and pastoral, would suit fun, American style TV/Film scenes or a playful nature documentary tracking fun-loving animals.

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Seven Eight Stepper

Upbeat Rhodes piano and full band track in 7/8 time. Synth effects, drums and keys chordal intro. Mid section with jazz drums and dynamic Rhodes piano and an electric guitar build. Drum-led section. Keys rejoin and track builds to inspiring heights with dramatic stabs by all instruments punctuating the melody. Reflective guitar-led final section, again building to an emotional crescendo. Perfect for a TV/Film finale or as background music to exciting, unpredictable sports coverage.

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Notes of Dust in the Sunshine

Laid back jazz track. Soft brass, snippets of piano and dynamic double bass keep it easy-going and improvisational. Cool and calm with late night vibes, repetitive and emphatic, perfect for a thoughtful, reflective TV/Film moment, or for a curious documentary observing the subtle idiosyncrasies of a people.

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