Douze Petits Volcans

Gallic-inspired dreamy acoustic guitar and glockenspiel mingle in a melancholy dance. Finger-picking guitar and a warm, rich glockenspiel set the tone. Sparkling percussion, layered guitars and sustained glockenspiel notes add depth and intensity. Accordion expands the sonic palette further, as glockenspiel and guitar arpeggios dance around each other in hypnotic, swirling phrases of hopeful intensity, until a slightly melancholy end. Dreamy, magical and wistful with a hint of pensive longing. A track for periods of inner reflection and existential soul-searching. Tough decisions need to be made. Uncertainty and confusion are met with firm resolve. There is hope.

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New England (Suite)

Contemplative interlaced harp and piano. A repetitive harp intro is accompanied by sparse piano chords, interweaving, questioning and answering each other. Ever changing piano chords shift the mood, creating sombre moments as well as moments of hope and clarity. Sparse, delicate and emotional, torn but determined. Driving in a car through suburban America, Autumn leaves falling, crunching underfoot. Ringing out changes.

Harp and No harp versions are simplified melodies with an added synth drone.

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Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

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The Jester

Wistful solo piano. Dramatic, comedic chordal piano descent before AmĂ©lie-style European piano. Lolloping, waltz section, turns melancholy with low, stormy piano chords. Rumbling bass clef notes before the sun comes out with a bright tinkling segment, leading to a romantic waltzing around the keys. Indecisive, dramatic, tender yet troubled, would suit a European film set in on rainy Paris street, the character’s tumultuous lives at odds with their quaint surroundings.

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Night Falls (Suite)

Atmospheric droney strings and electronics. Sustained string drone under sparse plucked cello and fleeting, shifting electronics. Foreboding, threatening and chilling, would suit an eerie TV/Film/Doc scene, where an as-yet-unrevealed threat lies close by.

Night Falls 2 features bowed cello melody snatches.

Ambient Strings Stem.

Bass Stem.

Other stem tracks available.

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Manifest

Solo jazz piano track. Dramatic sparse piano chords, with quieter, sweeter interludes. A dissonant chord break with moments of consonance and hope, before a melodic slightly lounge-jazz section. Another chord break, returns to sparse, lovelorn chord clashes. Another moment of sweet reverie before the final despairing dramatic chords. Romantic, melancholy, thoughtful, would suit a reflective arthouse Film/TV scene, a lonely walk, conflicted, thinking of the other, or sitting at the bar, alone and dishevelled.

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Farewell Lionhead

Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ  Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.

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Riviera Swing

Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.

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Start again

Sincere and relaxed, with piano, glockenspiel, and vocals that make for an acoustic pop song. It follows a common structure stanza/chorus/stanza/chorus, alternating vocals with glockenspiel to sustain the refrain. Peaceful and serene, it will play well as title track and background for advertising.

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The glass lake

Somber and ethereal, with a piercing violin, a mellow vibraphone, and a classical piano that dialogue in a very physical and earthy performance in the vein of mid 1800s classical sonatas. Structured in 4 parts, the violin acts as a connector between all the sections and bridges firstly the vibraphone and then the piano, before returning solo for the coda. High quality execution that will fit dramas with a sense of sadness and longing with a seethed edge.

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