Sneaky and playful, with pizzicato strings, brass accents and an alluring theme embodied by woodwinds and violins. Somewhere in between a big orchestra and a folk band, it steadily increases in tempo as it progresses. Great for light and quirky advertising.
Reflective, dark and searching, with deep repetitive timpani and a sorrowful piano performance that play in the low range of frequencies to deliver a poignant feeling of inevitability. Something big is happening. It steadily grows in intensity as a compelling string ensemble builds and builds. Our protagonist is finally ready to accept the consequences of an inevitable, dramatic reality.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Bouncy and playful, with a compelling dialogue between strings and brass instruments that create a feeling of discovery for somewhat young adventurers. Dangerous edge but overall positive and playful, Goonies-alike with an added feeling of grandioseness given by a strong orchestral arrangement.
Pompous and hypnotic, with an entrancing dialogue between vocals and harmonica that create an meditative and longing feeling. A compelling folk with a dark flavour, will complement your character as he makes it to the top of the mountain and looks at the world from a higher perspective.
Celebratory and epic orchestral score, with lush and powerful arrangement. Bold brass, balzato strings and engaging harp strums. A marked sense of discovery and grandioseness, with echoes of ancient battles and conquests. Perfect for celebration scenes and big epic sequences.
Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.