Country-jazz instrumental. Dynamic walking double bass, quickly strummed acoustic guitar, classic jazz drums, frenetic saxophone soloing. Horn is introduced, duelling brass solos. Fun, positive and warm, ramshackle jazz straight out of a 1920s speakeasy, would suit a retro Film/TV scene, a lush jazz-age garden party, or an advert for a laid-back but jazzy product.
Bed version features No Brass.
Driving strings and piano track. Opening of plucked strings into a the catchy main melody on warm, earthy strings. Piano chords join to punctuate the melody. Light drums build anticipation with a piano counter-melody. Drums drop out for a violin and gently strummed guitar break. Thoughtful, measured piano chords before a return to the build up. Drums kick in and the melody is in full swing. Hand clap-style percussion adds interest at the next break, stay in as the tune builds once more to a triumphant end. Ambitious, hopeful, excited, perfect for a decisive, emotional moment on Film/TV, for epic sports coverage on TV, or for an air-punching, life-affirming advert.
Solo Piano version available.
Available with No Strings.
Available with No Piano.
Available with No Drums.
1 min and 30 sec ad length versions available.
Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.
Two part brass instrumental. Unsteady jazz piano and erratic saxophone notes begin before settling into a mellow, lyrical piano and sax melody with warm string swells. Slightly off-kilter tuning counteracts the sweetness of the melody, giving it a quirky edge. Dreamlike, nostalgic and strange, would suit a reflective documentary moment or a sentimental but not sickly-sweet Film/TV sequence.
Ethereal and delicate, a relaxing episode of synths and organs that is both looking at the inner and outer side of your character. Blissful and gently flowing up in a sky made of pink streams of consciousness, will suit utopian sci-fi and fantasy settings.
Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.
Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.
Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.
A dreamy and ethereal start, with a filtered piano and marching percussion that create a somewhat emotional and grand feeling. In a continuous and constant progression, it gains decisive strength after minute 3, where the scene is complemented by other orchestral elements, such as a soothing cello and high pithed orchestral strings. With its full power ending, it will suit cinematic sequences that have a need to gradually transform introversion and emotional content in something grandiose and epic.
Catchy and uplifting, with a folk acoustic guitar and a warm male choirs that create an interesting and compelling episode of indie acoustic folk. The second part develops into a fully arranged piece with increased complexity. Several applications, from emotional and in your face commercials to soundtracks for dramas and bittersweet comedies